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  1. Braque sought balance and harmony in his compositions, especially through papier collés, a pasted paper collage technique that Picasso and Braque invented in 1912. Braque, however, took collage one step further by gluing cut-up advertisements into his canvases.

    • French
    • May 13, 1882
    • Argenteuil, France
    • August 31, 1963
  2. Braque played a major role in the development of what became known as Cubism. Braque's work is intertwined with that of his collaborator Pablo Picasso, especially from 1908 to 1912, particularly regarding their respective contributions to the development of the collage. Picasso's fame and notoriety often overshadowed the quiet life of Braque.

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  4. Fruit Dish and Glass (1912), by Georges Braque, is the first papier collé (pasted paper, colloquially known as collage). Braque and Pablo Picasso made many other works in this medium, which is generally credited as a key turning point in Cubism.

  5. Georges Braque (/ b r ɑː k, b r æ k / BRA(H)K, French: [ʒɔʁʒ bʁak]; 13 May 1882 – 31 August 1963) was a major 20th-century French painter, collagist, draughtsman, printmaker and sculptor. His most notable contributions were in his alliance with Fauvism from 1905, and the role he played in the development of Cubism .

    • 13 May 1882, Argenteuil, Val-d'Oise, France
    • L'église Saint-Valery, Varengeville-sur-mer, Normandy
  6. Jan 1, 2024 · In 1912, Georges Braque invented papier collé, or the technique known today as collage, utilizing ready pieces of paper, newsprint, wallpaper, and other sources to create a composition. This pushed Cubism into its next phase, known as Synthetic, where the focus was not on breaking the object into its varied viewpoints but on flattening it out ...

  7. Nov 8, 2022 · Nov 8, 2022. Inanimate objects dominated the imagery of Pablo Picasso, Georges Braque, and Juan Gris during the collage phase of Cubism from 1912–14. Even so, many of their still lifes possess an undercurrent of human drama thanks to the ingenious combination of things and text.

  8. The collaged paper fractures the composition into geometric planes and draws attention to the flatness of the picture’s surface. Gallery label from Geo/Metric: Prints and Drawings. from the Collection, June 11–August 18, 2008. Medium. Cut-and-pasted printed and painted paper, charcoal, pencil, and gouache on gessoed canvas. Dimensions.

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