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View all 237 artworks. Georgia O'Keeffe lived in the XIX – XX cent., a remarkable figure of American Precisionism. Find more works of this artist at Wikiart.org – best visual art database.
- View All 237 Artworks
Georgia O'Keeffe: List of works - All Artworks by Date 1→10....
- Jimson Weed
‘Jimson Weed’ was created in 1932 by Georgia O'Keeffe in...
- Blue Morning Glories
‘Blue Morning Glories’ was created in 1935 by Georgia...
- Abstraction White Rose
‘Abstraction White Rose’ was created in 1927 by Georgia...
- From The Lake
‘From the Lake’ was created in 1924 by Georgia O'Keeffe in...
- Radiator Building
‘Radiator Building – Night, New York’ was created in 1927 by...
- Bleeding Heart
‘Bleeding Heart’ was created in 1932 by Georgia O'Keeffe in...
- Music Pink and Blue
‘Music Pink and Blue’ was created in 1918 by Georgia...
- Pink Dish and Green Leaves
‘Pink Dish and Green Leaves’ was created in 1928 by Georgia...
- View All 237 Artworks
- Jimson Weed
- Black Iris
- Blue
- My Shanty, Lake George
- Oriental Poppies
- Cow’S Skull: Red, White, and Blue
- Sky Above Clouds IV
- An Orchid
- A Sunflower from Maggie
- The Lawrence Tree
One of Keeffe’s magnificent flower paintings, this one depicts four large jimson weed blossoms in the shape of a pinwheel. Simplified colors teamed with a rhythmic play of light and shade enhances the freshness of the flowers. Keeffe possessed an infinite fondness for these flowers irrespective of its toxic seeds. However, this work was commissione...
Also known as Black Iris III, this is another of Keeffe’s flower paintings, though linked with a lot of controversies. Linda Nochlin, an art historian, interpreted this painting to signify the female genitalia metaphorically. However, Keeffe rejected such claims saying that such meanings were derived by those looking at it though she had not given ...
This is the name collectively given to Keeffe’s series of four paintings centered around the theme of abstraction. The second painting in the series, suggests her love for music as the shape represents the curves seen in the violin. The pattern of this painting reflects Kandinsky’s influence on Keeffe.
This is a pictorial representation of Lake George where she had spent a considerable period, between 1918 and 1934. The shanty shown in the painting is said to be Keeffe’s studio which has been presented beautifully in solid colors but given a subdued appearance. The pink and orange flowers, green tree and grass as well as the curved structure of t...
Even referred to as Red Poppies, it shows two of the flowers from a close angle. The big flowers with vibrant colors are presented in such a way that they seem to explode on canvas, also giving them a sensual touch. The lack of a background compels the viewers to focus their attention upon the middle of the flowers directly.
The skull of a cow is presented in the foreground with a black vertical stripe below. While two vertical white and blue stripes are seen on the sides, the outer border is marked in red. Keeffe could have possibly followed the footsteps of the other musicians, painters, and artists of American descent and presented this portrayal in a bid to look fo...
Belonging to the series of cloudscape art which she produced during the second half of the 1960s, this one is a product of Keeffe’s imagination from what she saw outside her window during her journey by airplane. Being enamored by the beauty of the moving clouds, she puts her experience on canvas portraying white, puffy clouds just like a blanket a...
This is another significant painting of Keeffe, where an orchid is presented from a close up without any background. Like most of her flower paintings, this one too is said to have Freudian touch and evoke a sensual appeal. However, like always she has denied any sexual or erotic associations to her flower paintings.
Unlike her other flower paintings, this one has not been highly enlarged or presented abstractly. There is also an orange-pink background wonderfully contrasted with the green leaves and florets. The Maggie, as the name of the painting goes, is referred to Keeffe’s friend, Margaret Johnson, who lived close to her.
This painting shows a huge ponderosa pine in the D.H Lawrence Ranch, New Mexico, where Keeffe had once stayed with a wealthy American, Mabel Dodge Luhan, who was an art patron, also instrumental in bringing the modernists to Taos art colony. Keffee painted the tree as she reclined on a bench and looked at the night sky above. It is because of this ...
- 15 th November 1887
- Georgia O’Keeffe
- 6 th March 1986
- American
During the 1920s, O’Keeffe painted a series of architectural pictures that dramatically depict the soaring skyscrapers and aerial views of New York City. But most often, she painted landscapes and botanical studies that were inspired by annual trips to the Stieglitz family summer home in Lake George, New York.
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Medium: Oil on canvas. Dimensions: 36 in. × 29 7/8 in. (91.4 × 75.9 cm) Classification: Paintings. Credit Line: Alfred Stieglitz Collection, 1969. Accession Number: 69.278.1. Learn more about this artwork. Connections: Greenhouse. Nineteenth-century paintings curator Rebecca Rabinow finds a way to get a taste of the outdoors inside the galleries.
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Sep 29, 2016 · Biography. Georgia O'Keeffe was born on November 15, 1887, on a farm in Sun Prairie, Wisconsin. She demonstrated an early aptitude for art and resolved to become an artist. After graduating from high school in 1905, O'Keeffe attended the Art Institute of Chicago from 1905 to 1906, and the Art Students League in New York from 1907 to 1908.
Georgia Totto O'Keeffe (November 15, 1887 – March 6, 1986) was an American modernist painter and draftswoman whose career spanned seven decades and whose work remained largely independent of major art movements.
