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Anne Louise Germaine de Staël-Holstein (French: [an lwiz ʒɛʁmɛn də stal ɔlstajn]; née Necker; 22 April 1766 – 14 July 1817), commonly known as Madame de Staël (French: [madam də stal]), was a prominent philosopher, woman of letters, and political theorist in both Parisian and Genevan intellectual circles.
- 14 July 1817 (aged 51), Paris, France
On Germany (French: De l'Allemagne), also known in English as Germany, is a book about German culture and in particular German Romanticism, written by the French writer Germaine de Staël. It promotes Romantic literature, introducing that term to readers in France and other parts of Europe.
De l'Allemagne [1], [2], [3] est un essai littéraire et philosophique de Madame de Staël. L'ouvrage de Germaine de Staël contient une mine d'observations historiques et contemporaines, sur la littérature et les arts, les sciences et la nouvelle philosophie développés dans l'ombre du pays des Lumières , de l'autre côté du Rhin.
Apr 18, 2024 · Germaine de Staël (born April 22, 1766, Paris, Fr.—died July 14, 1817, Paris) was a French-Swiss woman of letters, political propagandist, and conversationalist, who epitomized the European culture of her time, bridging the history of ideas from Neoclassicism to Romanticism.
Staël, Germaine de (1766–1817)A precursor of Romanticism and modern literary criticism whose liberalism reflected 18th-century thought and made her an active adversary of Napoleon Bonaparte. Name variations: Anne Louise Germaine Necker; Madame de Stael or Staël; Baronne or Baroness de Staël von Holstein; (nickname) Minette.
Madame de Staël, orig. Anne-Louise-Germaine Necker, Baroness de Staël-Holstein known as Madame de Staël, (born April 22, 1766, Paris, France—died July 14, 1817, Paris), French-Swiss writer, political propagandist, and salon hostess. She early gained a reputation as a lively wit.
May 9, 2018 · De l' Allemagne ranked as one of the seminal works of early romantic thought. In it she made a famous distinction between two types of literature: that of the north (Germany, England, and Scandinavia) she found romantic, original, and free; that of the south (France and Italy) she found classical, formal, and conventional.
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