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  1. German Expressionism was an artistic movement in the early 20th century that emphasized the artist's inner emotions rather than attempting to replicate reality. German Expressionist films rejected cinematic realism and used visual distortions and hyper-expressive performances to reflect inner conflicts. History

    • Germany
    • 1910s–1930s
  2. Feb 9, 2024 · 1. It originated with two collectives looking for new art styles. A group of aspiring artists in Dresden, Germany, at the beginning of the 20th century found common cause. Erich Heckel, Ernst Ludwig Kirchner, Karl Schmidt-Rottluff, and Fritz Bleyl believed that art should reflect and cause emotions and states of mind.

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  4. Apr 17, 2024 · Published: April 17, 2024. Updated: April 19, 2024. Definition: German Expressionism was an early 20th-century cultural movement in the arts, including film, painting, and theater. It emphasized emotional experience over physical reality, often using bold colors, distorted forms, and dramatic, moody visuals to express the artist’s inner ...

  5. Expressionism. Edvard Munch, The Scream, c. 1893, oil, tempera and pastel on cardboard, 91 × 73 cm, National Gallery of Norway, inspired 20th-century expressionists. Expressionism is a modernist movement, initially in poetry and painting, originating in Northern Europe around the beginning of the 20th century.

    • Predominantly Germany
    • The years before WWI and the interwar years
  6. Apr 26, 2023 · German Expressionism in film was defined by the mise-en-scène, in which dimly lit sets full of shadowy corners where danger lurked reflected the inner turmoil of the characters on the screen. The Cabinet of Doctor Caligari , released in 1920, and Nosferatu , released in 1922, are well-known examples of German Expressionist movies that used ...

  7. Feb 15, 2021 · German Expressionism, originating in Germany prior to the First World War, existed as an early 20th Century art movement that reached its peak in Berlin during 1920. This movement held its influence through depicting reality after the traumatic effects of World War One.

  8. The cre­ativ­i­ty of Ger­man Expres­sion­ist film, like so much cre­ativ­i­ty, arose from lim­i­ta­tions: Ger­many had just lost World War I, most of its film indus­try had under­gone state-spon­sored con­sol­i­da­tion, and inde­pen­dent film­mak­ers who did­n’t want to make large-scale cos­tume dra­mas (the genre of choice to dis­tract the pub­lic ...

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