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  1. The term Brick Expressionism ( German: Backsteinexpressionismus) describes a specific variant of Expressionist architecture that uses bricks, tiles or clinker bricks as the main visible building material. Buildings in the style were erected mostly in the 1920s, primarily in Germany and the Netherlands, [1] where the style was created.

  2. Hermann Scherer was born in Rümmingen, Baden-Württemberg in 1893. After leaving school in 1907, Scherer began an apprenticeship as a stonemason at the Schwab workshop in Lörrach. From 1910 to 1919 he worked as a stonemason with a series of Basel sculptors: Carl Gutknecht, Otto Roos and Carl Burckhardt. By working as a labourer and later ...

  3. Origins. Opened in 1967, it features around 400 paintings and sculptures and several thousand drawings, watercolours and prints by members of Die Brücke, the movement founded in 1905 in Dresden. The collection includes a donation from the painter Karl Schmidt-Rottluff to the state of Berlin, and a later donation from Erich Heckel featuring key ...

  4. S. Schatten – Eine nächtliche Halluzination. Shattered (1921 film) The Street (1923 film) The Student of Prague (1926 film) Sunrise: A Song of Two Humans.

  5. In 1917, he married German weaver and textile designer, Elisabeth Lindemann (1879–1960); they shared a workshop and studio in Itzehoe. Hablik, a member of the Deutscher Künstlerbund , [3] became best known, however, for his etchings and paintings and his links with major German Expressionist figures and movements, including the Arbeitsrat ...

  6. Movement. Realism, Expressionism. Ernst Heinrich Barlach (2 January 1870 – 24 October 1938) was a German expressionist sculptor, medallist, printmaker and writer. Although he was a supporter of the war in the years leading to World War I, his participation in the conflict made him change his position, and he is mostly known for his sculptures ...

  7. 4 days ago · Alban Berg. Expressionism, artistic style in which the artist seeks to depict not objective reality but rather the subjective emotions and responses that objects and events arouse within a person. The artist accomplishes this aim through distortion, exaggeration, primitivism, and fantasy and through the vivid, jarring, violent, or dynamic ...

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