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      • Definition: German Expressionism was an early 20th-century cultural movement in the arts, including film, painting, and theater. It emphasized emotional experience over physical reality, often using bold colors, distorted forms, and dramatic, moody visuals to express the artist’s inner feelings or ideas.
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  2. 2 days ago · Metropolis is a 1927 German expressionist science-fiction silent film directed by Fritz Lang and written by Thea von Harbou in collaboration with Lang from von Harbou's 1925 novel of the same name (which was intentionally written as a treatment). It stars Gustav Fröhlich, Alfred Abel, Rudolf Klein-Rogge, and Brigitte Helm.

  3. Apr 16, 2024 · More specifically, Expressionism as a distinct style or movement refers to a number of German artists, as well as Austrian, French, and Russian ones, who became active in the years before World War I and remained so throughout much of the interwar period.

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  4. 3 days ago · The Cabinet of Dr. Caligari ( German: Das Cabinet des Dr. Caligari) is a 1920 German silent horror film directed by Robert Wiene and written by Hans Janowitz and Carl Mayer. Considered the quintessential work of German Expressionist cinema, it tells the story of an insane hypnotist ( Werner Krauss) who uses a brainwashed somnambulist ( Conrad ...

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    • 26 February 1920 (Germany)
    • $12,371
    • Decla-Film (later known as Decla-Bioscop AG)
  5. Apr 9, 2024 · Spiritual Expressions Through Colour and Form. Despite the spiritual aims that were commonly shared among Marc, Macke, Kandinsky, Münter, Jawlensky and other members of Der Blaue Reiter, each of them had developed their own language to express their worldviews and the abstract ideas of spirituality. Franz Marc, Yellow Cow (Gelbe Kuh), 1911 ...

  6. Apr 24, 2024 · Münter is the least “expressionist” artist here, if expressionism means being possessed by an inner tiger. Her paintings ground the social world of the Blue Rider, offering relaxed glimpses ...

  7. Apr 18, 2024 · Käthe Kollwitz was a German graphic artist and sculptor who was an eloquent advocate for victims of social injustice, war, and inhumanity. The artist grew up in a liberal middle-class family and studied painting in Berlin (1884–85) and Munich (1888–89). Impressed by the prints of fellow artist Max.

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