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- The Sculptures "Woman of Venice Iv" and "The Cat" by Alberto Giacometti Are Seen in The Kommandantenhaus, The Newly-Added Building to The Berggruen
The sculptures "Woman of Venice IV" and "The Cat" by Alberto...
- Swiss Sculptor Alberto Giacometti in His Parisian Studio Finishing a Sculpture,Wearing a Woolen Coat and a Striped Scarf, Paris 1950
Swiss sculptor Alberto Giacometti in his parisian studio...
- The Sculptures "Woman of Venice Iv" and "The Cat" by Alberto Giacometti Are Seen in The Kommandantenhaus, The Newly-Added Building to The Berggruen
- Childhood
- Early Training
- Mature Period
- Late Period
- The Legacy of Alberto Giacometti
Alberto Giacometti was born in 1901 in the mountain hamlet of Borgonovo, in eastern Switzerland. He was the first of four children born to Giovanni Giacometti, a Post-Impressionist painter, and Annetta Giacometti-Stampa, whose family was among the area's prominent land owners. In addition to his father, several members of Giacometti's extended fami...
In 1915, Giacometti enrolled at the Evangelical School in the town of Schiers, where he continued to work in a small private studio. Later he enrolled at the École des Arts Industriels in Geneva, and studied painting, drawing and sculpture under the tutelage of Pointillistpainter David Estoppey and sculptor Maurice Sarkissoff. In May 1920, Giacomet...
By the 1930s, Giacometti had been warmly welcomed into Surrealist circles, and he became close to figures such as Man Ray, Joan Miró, André Masson and Max Ernst, as well as the movement's founders André Breton and Louis Aragon. But he also published work in Documents, the periodical produced by writer Georges Bataille, who was then putting forward ...
As Giacometti's style continued to mature into the 1950s and 60s, his bronze figures grew larger and more complex, ranging from his Woman of Venice II (1956) at nearly four feet tall, to Tall Woman II(1960), towering at close to nine feet. He also devoted more time to portraiture, in both painting and sculpture. His regular models included Diego an...
Both of the important phases of Giacometti's career yielded innovations that influenced a wide range of artists. His Surrealist sculpture of the 1930s, for instance, influenced Henry Moore, partly inspiring the Surrealismthat would be such an important component of Moore's practice throughout his life. It is certainly hard to imagine Moore's own in...
- Swiss
- October 10, 1901
- Stampa, Graubunden, Switzerland
- January 11, 1966
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Provenance. Exhibition History. References. Title: Three Men Walking II. Artist: Alberto Giacometti (Swiss, Borgonovo 1901–1966 Chur) Date: 1949. Medium: Bronze. Edition: 1/6. Dimensions: 30 1/8 in. × 13 in. × 12 3/4 in. (76.5 × 33 × 32.4 cm) Classification: Sculpture. Credit Line: Jacques and Natasha Gelman Collection, 1998.
Title: Tall Figure. Artist: Alberto Giacometti (Swiss, Borgonovo 1901–1966 Chur) Date: 1947. Medium: Bronze. Edition: 3/6. Dimensions: 79 1/2 × 8 5/8 × 16 1/4 in. (201.9 × 21.9 × 41.3 cm) Classification: Sculpture. Credit Line: The Pierre and Maria-Gaetana Matisse Collection, 2002. Accession Number: 2002.456.111.
After World War II, Giacometti created his most famous sculptures: his extremely tall and slender figurines. These sculptures were subject to his individual viewing experience—between an imaginary yet real, a tangible yet inaccessible space. [9] In Giacometti's whole body of work, his painting constitutes only a small part.
- Swiss
- The School of Fine Arts, Geneva
Title: The Cat. Artist: Alberto Giacometti (Swiss, Borgonovo 1901–1966 Chur) Date: 1954. Medium: Bronze. Edition: 1/6. Dimensions: 11 in. × 31 1/2 in. × 5 1/4 in. (27.9 × 80 × 13.3 cm) Classification: Sculpture. Credit Line: Jacques and Natasha Gelman Collection, 1998. Accession Number: 1999.363.24.
Jan 23, 2024 · Alberto Giacometti created a varied body of sculptures, paintings, and drawings, but he is best known for his sculptures of tall, thin, and rigid women and men often mounted on large bases. In the destructive wake of World War II, these figures--skeletal, seemingly anonymous and isolated--were embraced as powerful metaphors of the human condition.
