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Mar 21, 2024 · Gotthold Ephraim Lessing was a German dramatist, critic, and writer on philosophy and aesthetics. He helped free German drama from the influence of classical and French models and wrote plays of lasting importance. His critical essays greatly stimulated German letters and combated conservative.
Gotthold Ephraim Lessing ( / ˈlɛsɪŋ /, German: [ˈɡɔthɔlt ˈʔeːfʁa.ɪm ˈlɛsɪŋ] ⓘ; 22 January 1729 – 15 February 1781) was a German philosopher, dramatist, publicist and art critic, and a representative of the Enlightenment era. His plays and theoretical writings substantially influenced the development of German literature.
Sep 14, 2017 · Ever since its publication in 1766, Gotthold Ephraim Lessing’s treatise Laocoon, or On the Limits of Painting and Poetry has shaped debates about aesthetic experience and the medial distinctions between words and images. Rethinking Lessing’s Laocoon provides a reassessment of this seminal work on its 250th anniversary, examining Lessing’s ...
Gotthold Ephraim Lessing (January 22, 1729 – February 15, 1781) was a German writer, philosopher, publicist, and art critic, was one of the most outstanding representatives of the Enlightenment era. His theoretical and critical writings are remarkable for their often witty and ironic style, and he often worked his ideas into his plays and ...
Lessing and Philosophy; By H. B. Nisbet, University of Cambridge Edited by Barbara Fischer, Thomas C. Fox, Professor of German at the University of Alabama; Book: A Companion to the Works of Gotthold Ephraim Lessing; Online publication: 28 April 2017
Gotthold Ephraim Lessing, the German dramatist and critic, was born at Kamenz in Saxony. The son of a scholarly Lutheran pastor, he was sent to study theology at Leipzig University. There, however, he absorbed the popular rationalism of the Enlightenment, whose leading contemporary exponent was the Leibnizian Christian Wolff, of Halle.
Art is basically imitation, but for Lessing, imitation is directed towards action and emotion as well as objects. Lessing was thus led to consider both rules and means in a more concrete, inductive way than the axiomatic, deductive procedures of rationalist metaphysics had dictated.
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