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Known for her incisively political collages and photomontages (a form she helped pioneer), Hannah Höch appropriated and recombined images and text from mass media to critique popular culture, the failings of the Weimar Republic, and the socially constructed roles of women.
Der Traum seinen Lebens (The Dream of His Life) Hannah Höch German. 1925. Not on view. Hannah Höch pioneered the art of photomontage, a genre that involves layering and juxtaposing photographs, scraps of paper, and newsprint to create a new composition.
May 15, 2022 · 16 February -- 15 May 2022. Hannah Höch (1889–1978) went down in history as a Dada icon. Above all, she is known for her photo collages critically examining the political and social environment. Yet her work also reveals the autonomous artistic statement of an extraordinary personality.
Here, Höch sets into motion a swirling, anarchic panoply of military leaders, crowds, spinning machine parts, cabaret dancers, and Dadaist pranksters; the work's engagement with the social praxis--in terms of both its subject and its construction--marks a decisive rupture with traditional bourgeois modes of expression.
Hannah Höch (German: [hœç]; 1 November 1889 – 31 May 1978) was a German Dada artist. She is best known for her work of the Weimar period, when she was one of the originators of photomontage.
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Mar 11, 2019 · Hannah Höch, one of the few female members recognized by the movement, offered a refreshing antithesis to such macho constructions. Her own photomontages offer kaleidoscopic visions of German culture during the interwar era, often from a distinctly queer, feminist perspective.
The Life of Hannah Höch. Saying, “I always had an experimental turn of mind,” Hannah Höch transformed her experience working with textiles and mass media images for commercial women’s magazines into pioneering Dada photomontages with a gender-bending feminist slant. Read full biography.
