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Harvest Records was created by EMI in 1969 to market progressive rock music, [1] and to compete with Philips' Vertigo and Decca's Deram labels, and the independent Island label. Harvest was initially under the direction of Malcolm Jones, [1] and was distributed in North America by EMI's US affiliate, Capitol Records.
- 1969
- Malcolm Jones, Norman Smith
In 2013, Capitol Records reactivated Harvest as a semi-independent American label. For the rest of the world the label is now jointly used by Universal Music and the Warner Music Group, the latter using the label for catalogue and the former for new releases. As of 2017 EMI (IP) Ltd. is still the registered owner of the Harvest trademark under ...
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Harvest Records discography (click the links to go to each album’s page): SHVL 751 – Deep Purple. SHVL 752 – Pete Brown. SHVL 753 – Panama Limited Jug Band. SHVL 754 – Shirley & Dolly Collins. SHVL 755 – Michael Chapman. SPSLP 118 – Various. SHVL 756 – Third Ear Band. SHVL 757 – Edgar Broughton Band.
Jan 2, 2015 · Louder. A Brief History Of Harvest Records. By Daryl Easlea. published 2 January 2015. Relive the magic of some of greatest imprints of all-time in Prog’s new bite-sized label guide. When Morrissey took to the stage for his only UK concert of the year last November, his band were wearing T-shirts that sported the legend ‘Fuck Harvest’.
- Daryl Easlea
SW 11761 - The Kick Inside - KATE BUSH [1978] Moving/The Saxophone Song/Strange Phenomena/Kite/The Man With The Child In His Eyes/Wuthering Heights//James And The Cold Gun/Feel It/Oh To Be In Love/L’Amour Looks Something Like You/Them Heavy People/Room For The Life/The Kick Inside. STB 11778 - Power In The Darkness - TOM ROBINSON BAND [1978 ...
Harvest Records is a British record label. It was founded by EMI in 1969 for progressive rock genre. It has recorded music for many performers including Pink Floyd, Deep Purple
Jul 20, 2021 · 1970, part 6: Harvest Records. At the beginning of 1970 Harvest Records was six months in operation and an impressive catalog of 14 albums by unique and diverse artists put them in the front line of progressive music labels. As the ‘underground music’ subsidiary of EMI, Harvest was able to kick things off quickly with bands who were already ...
