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  1. ‘Her,’ Directed by Spike Jonze - The New York Times › 2013/12/18 › movies

    Dec 18, 2013 · Movie Review. Disembodied, but, Oh, What a Voice ... In contrast to the hard shininess of so many science-fiction movies, “Her” looks muted, approachable and vividly tactile, from Theodore’s ...

  2. The Philosophy of 'Her' - The New York Times › 2014/03/02 › the

    Mar 02, 2014 · Set in the not-too-distant future, Spike Jonze’s film “Her” explores the romantic relationship between Samantha, a computer program, and Theodore Twombly, a human being. Though Samantha is not human, she feels the pangs of heartbreak, intermittently longs for a body and is bewildered by her own evolution.

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  4. Movie Reviews - The New York Times › reviews › movies

    This hyperactive animated Netflix musical for kids, with messages of empowerment and references to “Midnight Cowboy,” has a lot on its plate. By Amy Nicholson Blues, silhouettes, two ...

  5. Apr 10, 2019 · Still, even at her worst — and the movie is all about her worst — she shows the wit and unpredictability that make it hard for anyone to quit her. Some of that resides in her dazzling verbal ...

  6. Her – review | Her | The Guardian › film › 2014

    Feb 13, 2014 · Her review In Spike Jonze's postmodern pastoral about a man who dates his operating system, digital affairs are as sensual – and heartbreaking – as the real thing • Spike Jonze on Jackass,...

  7. FILM REVIEW; A Gently Surreal Story of ... - The New York Times › 2002/11/22 › movies

    Nov 22, 2002 · ''Talk to Her'' was shown as part of this year's New York Film Festival. Following are excerpts from Elvis Mitchell's review, which appeared in The New York Times on Oct. 12; the full text is...

  8. Her Movie Review {4/5}: Critic Review of Her by Times of India › entertainment

    Her Movie Review: Critics Rating: 4 stars, click to give your rating/review,Witty dialogues, stimulating cinematography and a soulful background score are major assets of the f

    • Spike Jonze
  9. Film Review: ‘Her’ Spike Jonze's fourth feature offers a singular, wryly funny and subtly profound consideration of our relationship to technology.

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