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Jul 21, 2022 · The history of horror as a film genre begins with—as with many things in cinema history—the works of George Mellies. Just a few years after the first filmmakers emerged in the mid-1890s, Mellies created “Le Manoir du Diable,” sometimes known in English as “The Haunted Castle” or “ The House of the Devil,” in 1896, and it is ...
The history of horror films was described by author Siegbert Solomon Prawer as difficult to read as a linear historical path, with the genre changing throughout the decades, based on the state of cinema, audience tastes and contemporary world events.
From origins in silent films and German Expressionism, horror only became a codified genre after the release of Dracula (1931). Many sub-genres emerged in subsequent decades, including body horror, comedy horror, slasher films, splatter films, supernatural horror and psychological horror.
Jul 2, 2021 · From the gothic vampire of Bella Lugosi or the silent Michael Meyers, to the creature in It Follows, horror films hold an important and lasting place in the zeitgeist. Starting in the late 1800s, horror films have given birth to countless subgenres that oftentimes reflect a certain point in history. I wanted to try something a little different ...
Horror Movies: Our Shared Nightmares. “If movies are the dreams of the mass culture… horror movies are the nightmares”. Stephen King, Danse Macabre. If you’re exploring the history of horror movies, you need context. Horror films don’t exist in a vacuum, nor are they based on a fixed set of ideas.
Apr 29, 2019 · Lon Chaney and Mary Philbin in "The Phantom of the Opera.". It didn't take long after the advent of motion picture technology in the late 19th century for filmmakers to dabble in the horror genre, as witnessed by French director Georges Melies' 1896 short "The House of the Devil," often credited as being the first horror movie.
May 1, 2024 · In the earliest horror films, which were influenced by German Expressionist cinema, the effect of horror was usually created by means of a macabre atmosphere and theme; The Student of Prague (1913), an early German film dealing with a dual personality, and The Golem (1915), based on the medieval Jewish legend of a clay figure that comes to life ...
