Denis Lavant
Mr. Oscar/Le Banquier/La Mendiante/L'O.S de la Motion Capture/M. Merde/Le Père/L'Accordéoniste/Le Tueur/Le Tué/Le Mourant/L'Homme au Foyer
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Holy Motors is a 2012 surrealist fantasy drama film written and directed by Leos Carax and starring Denis Lavant and Édith Scob. Lavant plays Mr. Oscar, a man who appears to have a job as an actor, as he is seen dressing up in different costumes and performing various roles in several locations around Paris over the course of a day, though no ...
- $4.2 million
- Leos Carax
- $4 million
Nov 7, 2012 · A film critic's take on Leos Carax's "Holy Motors" (2012), a surreal and anarchic drama about a man who lives in movies and performs various roles in Paris. The film explores themes of identity, performance, and the city, with a nod to Walt Whitman and Jacques Tati.
Jul 4, 2012 · A man plays various roles in different scenarios in a limousine driven by a mysterious chauffeur. The film explores themes of cinema, identity, and existence with surreal and poetic imagery.
- (48K)
- Leos Carax
- Not Rated
- Drama, Fantasy
Oct 17, 2012 · A mysterious man (Denis Lavant) plays various roles in a surreal and perverse journey through Paris. Critics praise the film's visual feast and narrative challenge, while audiences are divided.
- (195)
- Denis Lavant
- Leos Carax
- Pandora Filmproduktion
Oct 16, 2012 · Holy Motors. NYT Critic’s Pick. Directed by Leos Carax. Drama, Fantasy. Not Rated. 1h 55m. By Manohla Dargis. Oct. 16, 2012. “Holy Motors,” from the French filmmaker Leos Carax, is a dream...
- Leos Carax
- 3 min
Oct 17, 2012 · Holy Motors is a French film by Leos Carax that explores the themes of identity, reality and cinema through a series of surreal and dreamlike scenarios. The film follows Monsieur Oscar, a character who changes his appearance and role in various situations, from a CEO to a sewer creature, and connects them to his own life and the world around him.
Oct 14, 2012 · That’s why it’s such a wondrous surprise that Leos Carax’s new film, “Holy Motors” (which opens today at Film Forum and Film Society of Lincoln Center), seems at once so precise and so...
