Apr 16, 2019 · Lets look into the different type of hook approach with examples in the writing. #1 Opening hook Authors frequently use this approach at the very start of their story to make the audience guessing from the beginning itself. Generally they start with a question hook.
- What is an Essay Hook? Imagine this; you are at a bookstore looking for interesting books to buy. How will you decide which one to go for? You skim through the introduction if it catches your attention, you decide to buy it.
- How to Write a Hook? The opening lines of an essay is your hook, which acts as an attention grabber. When writing a hook, remember that it is part of your essay introduction, it isn't written to replace the introduction itself.
- Hook Sentence Examples. To give you a better understanding of the different types of opening sentences, we will be discussing essay hook examples. 3.1 Question Hook.
- Argumentative Essay Hook Examples. The opening paragraph of an argumentative essay should be similar to the opening statement of a trial. Just as a lawyer starts by presenting the issue, provide background information and make a claim in a logical and persuasive way.
20 hours ago · A ‘hook’ in a story promises intrigue, entertainment and answers to the questions it raises. Far from the trickery of a bait and switch, a hook gives a true sense of what your reader can expect of your story’s pleasures. Explore great story hook examples and what they teach us about starting strong: Story hook examples
- Character Description Examples: How to Hook The Reader.
- Amateur vs. Pro Character Description Examples.
- Amateur Character Description Example #1.
- Professional Character Description Example #2.
- Amateur Character Description Example#3.
- Professional Character Description Example #4.
- Amateur Character Description Example #5.
- Professional Character Description Example #6.
- Character Description Examples That Break “The rules.”
- Mundane Actions in The Character Description.
In this post, we’re going to show you how to get the reader to emotionally connect with your characters—particularly your protagonist—by comparingamateur and pro character descriptionexamples. Far too often aspiring writers’ character descriptions involve mundane activities, unrelated to who they’re introducing. Often this is accompanied by a list of personality traits and/or physical attributes, like so: These character description examples aren’t bad, but they’re not great either. But why not? Take a moment to consider just how much you know about each of these protagonists from their character description examples. •Do you get a sense of Caitlyn’s personality? •Do you have any idea what Roger’s fundamental character flaw is? •Do you get a feeling for who each of these characters are deep down? Not really. In fact, it’s probably pretty hard to say you know anythingabout who these characters really are when we first meet them. We’re going to do this is by using “before and after” s...
Here’s a quick character description template of what makes these ones that much better and really hook the reader: • Interesting Action. The pro character description examples show them in action. It’s just more interesting to be introduced to a character doing something active—preferably something interesting or unusual—rather than something we all do every day. • Show Don’t Tell. The pro descriptions utilize the “show don’t tell” principle. The writers show the reader who each character is as a person through their actions, rather than simply tell them. • The Flaw. They show us a moment that perfectly sums up where each character is at in this particular stage in life. These character description examples show us their flaw in action: their “want” rather than “need.” The bad behavior that’s keeping them down at the start of the film. Overall, you want to show the reader the heart of each characterright off the bat when we first meet them. This usually means showing ustheir flawin...
Like many character description examples from spec screenplays, this one’s perfectly serviceable. It puts an image in our mind of a young guy who’s probably single. He’s engaged in an action of sorts—eating a TV dinner—and the car’s arrival adds some interest to the scene. But you don’t want to write a “serviceable” character description. You want to blow the reader awaywith the quality of your writing, right?
Here’s how Dan Gilroy introduces the same character in Nightcrawler: Ignore the somewhat idiosyncratic formatting for a moment and just focus on how this character description kicks ass. Focus on how much more you nowknow and feelabout Lou than in the first example. But how does Gilroy achieve this? He could have chosen to introduce Lou scouring CraigsList for a job. Or asking a scrap yard manager if he has any vacancies. While either of these would have told us more about Lou than in Example #1 and made him more active than sitting watching TV, they wouldn’t have been particularlyunusual or revealing actions. Showing him stealing fencing at night, on the other hand, tells us everything we need to know. Our interest is immediately piqued. Who is this weird guy? What’s he doing? Why is he doing it? Most importantly, Gilroy’s character description shows us Lou’s many flaws in action. He’s in the middle of a theft and is about to beat up an interfering security guard. He’s “pure primal...
This character description is clear and succinct and gives us a good idea of what we’re seeing here: two friends having a great time catching up over lunch. We get the feeling Annie is the protagonist as her name comes first and includes her surname. But what else do we learn about her from this character description? Not much. We learn nothing about what her personality’s like, where’s she at in life, or what her flaw is.
Here’s how Annie Mumolo and Kristen Wiig introduce the same protagonist in Bridesmaids. This is the character description we get after some brief Off-Screen dialogue that sets up the fact this is just a casual fling. (From Ted’s perspective at least.) This character description is tight and sparse—all we get is Annie’s age. But that’s okay because what she’s doing here is so much more important: She’s showing us her flaw in action: trying to get together with a guy who has zero romantic interest in her. One of the key reasons why studio script readers pass on spec screenplays is a lack of empathyfor the characters. This is often because the writer hasn’t fully communicated who the characters really are and what their flaws are right off the bat. Readers empathize with flaws: the characters (and our) relatable problems that they want to see solved by the movie’s end. It should be pretty clear that out of these two character description examples it’s Example #4 that better gives you a...
Let’s move on to an example from a recently nominated best-adapted screenplay. It’s true that Jack’s active here, but how engaging is it? And how much do we learn about him? We learn that he’s a musician in a hotel room, which could suggest he’s on tour and semi or very successful. We learn that he likes gin, which could suggest he has a drinking problem, but neither of these is stated explicitly.
Here’s the same character introduction from A Star Is Bornby Eric Roth, Bradley Cooper and Will Fetters. Now we’rehit in the gutwith a character description that shows rather than tells us so much more about him. Jack is not just involved in an action here that vaguely tells us something about who he is. He’s doing something that shows us explicitlywho he is and what his problem is. He famous enough to draw a large crowd and have roadies. He pops pills before going on stage, drinks deeply from a bottle of gin—some of it “spilling down his beard…” Note how much more interesting and exciting Example #6 is compared to Example #5. And how it’s now so much clearer that Jack’s a famous musician with a drink and drugs problem. It’s 100 times more engaging, revealing and visualin every possible way.
Of course, not all good character descriptions in professional screenplays abide bythe “rules”we’ve discussed so far. •Sometimes in professional screenplays we’re introduced to characters involved in the most mundane activities imaginable. •Sometimes when writing character descriptions, pro writers don’t give any indication of a flaw. •Sometimes great character descriptions are so sparse we learn nothing at all about what they look like. •Sometimes professional screenwriters describe their characters as “handsome” or “a natural beauty.” Here are a few more character description examples—the ones that seemingly break the “rules” discussed in this post.
Writers Nicole Holofcener and Jeff Whitty introduce the protagonist of Can You Ever Forgive Me?like this: Here, the writers introduce Lee Isreal in the middle of one of the most everyday situations imaginable: asleep on a couch. As familiar and uninteresting this situation is, it perfectly sums up where she is at this point in her life: lonely. They even give her a pet cat to really drive the point home. We don’t know why she’s alone yet but we can guess it’s got something to do with her flaw. In other words, writing character descriptions doesn’t mean you always have to introduce performing a bizarre or exciting action. It means writing a description that serves the character—whether that’s exciting or mundane.
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- The Surprising Statistic Hook. Presenting a surprising fact or statistic is a great way to grab the attention of your audience. For example, an essay on the orphan crisis may begin with
- The Interesting Question Hook. A question at the very start of your piece challenges your readers to start thinking about the topic. It can be a simple yes or no question, but it can also be a more complicated question that will require them to think deeper.
- The Famous Quote Hook. An essay on good citizenship may begin with the famous John F. Kennedy quote: “Ask not what your country can do for you, but what you can do for your country.”
- The Strong Statement Hook. The Strong Statement Hook makes an assertive claim right on the get-go. For example: Sugar is the absolute anti-nutrient: every healthy thing that your body consumes, sugar would automatically negate.
Good hooks must fit in your writing frame, your tone and style. The answer to the question is 'no.' You can't use more than 1-2 hook sentences in your paper because you risk having high plagiarism level and making your reader lost. Try to choose only one powerful hook as the opening sentence of paper's introduction.
- Your title is your first hook. As crucial as your opening sentence is, remember that you have one opportunity to hook your reader before they open your book or click on your article: your title.
- Drop your readers into the middle of the action. A classic hook strategy is to start with an action-packed or climactic event. This method hooks your reader in two ways: first, with the energy of the scene itself.
- Form an emotional connection. If your piece isn’t action-packed, you might consider hooking your reader with an emotional scene. Showing a character’s intense emotional response on the first page can help you tap into your reader’s sense of empathy, rather than their desire for thrills.
- Make a surprising statement. Starting your piece with a controversial or unexpected statement will encourage your audience to keep reading, as they anticipate how you’ll prove your statement.
- Create unanswered, emotive questions. In all forms of storytelling – fiction, journalism, essay-writing – the ‘5 W’s’ form the core of the hook. A great hook leaves us asking one or more of the following
- Front-load actions and choices. The danger of beginning with slowly-evolving backstory is that by the time you get to characters’ actions, predicaments and conflicts the reader’s lost interest.
- Keep secondary details minimal. Knowing how to write a hook means understanding what to leave in and what to leave out. Don’t describe characters putting off their alarms and eating breakfast, unless these in themselves are humorous or interesting situations that reveal, in their course, surprising or intriguing character details.
- Make your reader care. Writing a good hook also means making your reader care about your opening scenario or even just the voice and persona evident in your narrator’s voice.
- Hook readers with excitement. Start off with something that immediately engages the reader from the opening sentence, like an action scene or an unexpected event (you won’t have a lot of room for exposition due to the restrictions of short story format).
- Introduce the lead character. Starting you short story by introducing your main character can be an effective way to draw the audience in emotionally—especially if this character is written in first person, thereby establishing their worldview.
- Start with dialogue. A powerful line of dialogue from one of your characters as your first sentence can quickly establish who they are and what their point of view is.
- Use memories. Recalling the memories of a character via the narrator or by use of a flashback is a quick way to show (rather than tell) a little backstory about the inhabitants of your world.
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