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Jun 11, 2020 · Cultural origins: 1940s–1950s, American communities across some major cities on the East Coast Typical instruments
Doo-wop is a genre of music that was developed in African-American communities in The USA. It started in the 1940s. Doo-wop achieved mainstream popularity in the 1950s and early 1960s. Built upon vocal harmony, doo-wop was one of the most mainstream, pop-oriented R&B styles of the time. Singer Bill Kenny (1914–1978) is often called the ...
- 1940s–early 1960s, United States
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The Olympics are an American doo-wop group, formed in 1957 by lead singer Walter Ward (August 28, 1940 – December 11, 2006). The group also included Eddie Lewis ( tenor, Ward's cousin), Charles Fizer (tenor), Walter Hammond ( baritone ), and Melvin King ( bass ). With the exception of Lewis, all were friends in a Los Angeles, California, high ...
- Los Angeles, California, United States
- Doo-wop
- 1957–present
- Walter Ward, Eddie Lewis, Charles Fizer, Walter Hammond, Melvin King
The Crests are an American doo-wop group, formed by bass vocalist J.T. Carter in the mid 1950s. The group had several Top 40 hits in the late 1950s and early 1960s on Coed Records . Their most popular song, " 16 Candles ", rose to #2 on the Billboard Hot 100 chart in February 1959 selling over one million copies and earning a gold disc status . [1]
- 1954–1978, 1980–present
- Coed, Joyce
Dec 31, 2007 · Both hip-hop and doo wop are the music of the streets—but the streets have changed. DJ Bruce Morrow—Cousin Brucie to listeners—sits in his decidedly 1950s West Village townhouse, a curvy ...
Dec 18, 2017 · Doo-Wop On Music 101. When you think of America in the 1950’s, likely at some point your mind goes to Doo-Wop. For such short-lived popularity on the charts, Doo-Wop has lived a much more full life in nostalgia. Doo-Wop originates from the barbershop quartets of the late 19th, early 20th centuries. Barbershop is a very specific style of ...
Doo Wop. Doo Wop was one of the most popular genres of rock & roll and R&B in the late '50s. Doo wop artists were vocal groups, with each singer in the group taking a different part that interweaved with the other singers. Frequently, the backing vocalists sang nonsense words as rhythm, and the genre's name derives from this trait.
