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  1. In January 1995, Geisler and Roberdeau reached the end of their financial stability and patience with Malick’s mix of meticulousness and indecisiveness, so they decided to approach Malick’s former agent, co-founder of Orion Pictures and now chairman of a newly established production company Phoenix Pictures, Mike Medavoy to help bring the ...

    • The New World

      By Sven Mikulec. After a much-discussed hiatus that lasted...

    • Days of Heaven

      Sam Shepard talks about working with Malick on Days of...

  2. Apr 23, 2010 · Geisler and Roberdeau claim that Malick was furious with his old friend, and asked them if, contractually, he could take the film away from Medavoy.

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  4. Apr 2, 1999 · On Malick’s side were Twentieth Century Fox and Phoenix Pictures, which threatened to erase Geisler’s and Roberdeau’s names from the film when they spoke publicly about their tumultuous...

  5. Dec 23, 1998 · It’s been reported that Malick shot close to a million feet of film, several times the norm for a feature, and it’s likely that a longer, more illuminating cut of “Thin Red Line” at one time...

  6. In 1988, Geisler and John Roberdeau met with Malick in Paris about writing and directing a movie based on D. M. Thomas' 1981 novel The White Hotel. Malick declined, but told them that he would be willing instead to write either an adaptation of Molière's Tartuffe, or of James Jones' The Thin Red Line.

    • $52 million
  7. Dec 21, 1998 · Like a Rousseau painting splattered with carnage of warfare, “The Thin Red Line” indelibly presents a worldly paradise devastated by man’s irrepressible impulse to destroy. Terrence Malick ...

  8. Dec 23, 1998 · Even if they could be watched without knowledge of their provenance, they would be instantly identifiable as the work of Terrence Malick, whose 1970's ''Badlands'' and ''Days of Heaven'' were the...

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