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  1. The play draws on themes of masculine love and desire, reckoning and rationalisation, and reality versus fantasy. Though first published in quarto in 1598, the play's title page suggests a revision of an earlier version of the play. There are no obvious sources for the play's plot. The use of apostrophes in the play's title varies in early ...

  2. A complete summary of William Shakespeare's Play, Loves Labours Lost. Find out more about the four friends who vow to avoid women and what happens when women come to visit.

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  4. By contrast, modern criticism of Loves Labors Lost has looked more closely at the plays framing conception, along with its complex representations of gender and court politics, and has attempted to relate both structural form and ideological content to the plays wit and romance. This wider view has led to several provocative modern ...

  5. Love’s Labour’s Lost, early comedy in five acts by William Shakespeare, written sometime between 1588 and 1597, more likely in the early 1590s, and published in a quarto edition in 1598, with a title page suggesting that an earlier quarto had been lost.

    • David Bevington
  6. Jul 31, 2015 · At first glance, Shakespeare's early comedy Love's Labor's Lost simply entertains and amuses. Four young men (one of them a king) withdraw from the world for three years, taking an oath that they will have nothing to do with women. The King…

  7. Loves Labour's Lost is a play by William Shakespeare that was likely written in the mid-1590s and was first published in 1598. The play follows the King of Navarre and three of his lords as they swear off women for three years of study, only to have their plans disrupted by the arrival of the Princess of France and her ladies.

  8. Feb 6, 2024 · About Shakespeare’s Loves Labor’s Lost. An introduction to the plot, themes, and characters in the play. Reading Shakespeare’s Language. A guide for understanding Shakespeare’s words, sentences, and wordplay. An Introduction to This Text. A description of the publishing history of the play and our editors’ approach to this edition.

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