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A Streetcar Named Desire ends with the aftermath of Stanley’s climactic rape of Blanche. Stella, now a mother, has committed Blanche to a state-run mental institution, taking the rape accusation as evidence her sister has gone insane.
- Miss Dubois Is Being Sent Away
- The Strangers Arrive
- The Film's Ending Versus The Play's Final Moments
- Delusion and Denial
Blanche still clings to fantasy, telling others that she is expecting to go away on a trip with her wealthy gentleman friend. During the last few days, Blanche has probably been maintaining her frail illusions to the best of her ability, staying hidden as best she can in the spare room, trying to hold on to what little privacy she has left. How has...
A psychiatric doctor and nurse arrive to take Blanche to a hospital for mental patients. At first, Blanche thinks that her wealthy friend Shep Huntleigh has arrived. However, once she sees the "strange woman" she begins to panic. She runs back into the bedroom. When she claims to have forgotten something, Stanley cooly explains, "Now Blanche—you le...
It is important to note that in the Elia Kazan film, Stella seems to blame and reject Stanley. The movie adaptation implies that Stella will no longer trust her husband, and might actually leave him. However, in Tennessee Williams'original play, the story ends with Stanley taking his sobbing with into his arms and soothingly saying: "Now, honey. No...
During the final scene of "A Streetcar Named Desire," the audience witnesses Stella adopting the delusion that her husband is trustworthy—that he did not, in fact, rape her sister. When Eunice says, "No matter what happens, we've all got to keep going," she is preaching the virtues of self-deception. Tell yourself whatever you need to in order to s...
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A Streetcar Named Desire is a play written by Tennessee Williams and first performed in 1947. The play is set in New Orleans and follows the story of Blanche DuBois, a former schoolteacher who moves in with her sister Stella and her husband Stanley Kowalski. The play explores themes of desire, illusion, reality, and the struggle for power.
Oct 13, 2020 · Tennessee Williams ‘s (March 26, 1911 – February 25, 1983) A Streetcar Named Desire (1947), is generally regarded as his best. Initial reaction was mixed, but there would be little argument now that it is one of the most powerful plays in the modern theater. Like The Glass Menagerie, it concerns, primarily, a man and two women and a ...
A summary of Scene Eight in Tennessee Williams's A Streetcar Named Desire. Learn exactly what happened in this chapter, scene, or section of A Streetcar Named Desire and what it means. Perfect for acing essays, tests, and quizzes, as well as for writing lesson plans.
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