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  1. An alternative theory, suggested by Eric P. Hamp, is that Phrygian was most closely related to Italo-Celtic languages. Inscriptions. The Phrygian epigraphical material is divided into two distinct subcorpora, Old Phrygian and New Phrygian. These attest different stages of the Phrygian language, are written with different alphabets and upon ...

  2. en.wikipedia.org › wiki › Italo-CelticItalo-Celtic - Wikipedia

    Italo-Celtic. Indo-Hittite. Indo-Uralic. v. t. e. In historical linguistics, Italo-Celtic is a hypothetical grouping of the Italic and Celtic branches of the Indo-European language family on the basis of features shared by these two branches and no others. There is controversy about the causes of these similarities.

  3. 7.1 Introduction. Many scholars have noted similarities between Italic ( Chapter 8) and Celtic ( Chapter 9 ). Schleicher (1858) was the first to posit an Italo-Celtic node between Proto-Indo-European and Celtic and Italic. 1 But in the 1920s Carl Marstrander and Giacomo Devoto questioned the validity of this subgrouping. 2 Scholarly opinion has ...

  4. The Phrygian language. Phrygian is one of the oldest and least attested Indo-European languages. It is far from being completely understood and decipherment is still in progress. Unlike other poorly attested languages, Phrygian has written records in the Phrygian and later the Greek alphabet.

  5. Mar 23, 2023 · The Phrygian language is preserved in two inscription corpora: the earlier Old Phrygian inscriptions recorded in a local alphabet, and the later Neo-Phrygian inscriptions written with the closely related Greek alphabet. While the scripts differ, the language recorded is the same.

  6. 2019 •. Bartomeu Obrador-Cursach. The aim of this paper is to gather together certain relevant features of Phrygian based on our current knowledge of the language in order to determine its dialectal position inside the Indo-European family.

  7. Jul 19, 2021 · While Greeks called the ecstatic musical mode ‘Phrygian’, there is no evidence of high-arousal musical performances in Phrygia, and the musical characteristics of this mode were distinctively Greek.