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Four #1 hits
- The Supremes scored four #1 hits in 1965 with "Come See About Me", "Stop! In the Name of Love", "Back in My Arms Again" and "I Hear a Symphony".
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Billboard. Hot 100 number ones of 1965. The Supremes scored four #1 hits in 1965 with "Come See About Me", "Stop! In the Name of Love", "Back in My Arms Again" and "I Hear a Symphony". The Rolling Stones scored their first two #1 hits in 1965 with "(I Can't Get No) Satisfaction" and "Get Off of My Cloud". These are the Billboard Hot 100 number ...
Their first live album, The Supremes at the Copa (1965) was released alongside their seventh studio album, Merry Christmas (1965); which produced the singles "Twinkle, Twinkle, Little Me", "My Favorite Things" and "Santa Claus Is Coming to Town", which hit number one in Singapore and number two in Malaysia.
- 32
- 66
- 4
- 29
They were the most commercially successful of Motown's acts and are, to date, America's most successful vocal group with 12 number one singles on the Billboard Hot 100. Most of these hits were written and produced by Motown's main songwriting and production team, Holland–Dozier–Holland.
One of Motown's signature acts, The Supremes were the most successful African-American musical act of the 1960s, recording twelve #1 hits between 1964 and 1969, many of them written and produced by Motown's main songwriting and production team, Holland-Dozier-Holland.
- Origins
- Impact
- Changes
- Ross's Departure
- The Supremes in The 1970s
In Detroit in 1958, Florence Ballard, a junior high school student living in the Brewster-Douglass Housing Projects, met Paul Williams and Eddie Kendricks, who were two members of a Detroit singing group known as the Primes. Ballard sang, as did Paul Williams' girlfriend Betty McGlown, so Milton Jenkins, the Primes's manager, decided to create a si...
The Supremes deliberately embraced a more glamorous image than previous black performers. Much of this was accomplished at the behest of Motown chief Berry Gordy and Maxine Powell, who ran Motown's in-house finishing school and Artist Development department. Unlike many of her contemporaries, Ross sang in a thin, calm voice, and her vocal styling w...
Problems within the group and within Motown Records' stable of performers led to tension among the members of the Supremes. Many of the other Motown performers felt that Berry Gordy was lavishing too much attention upon the group and upon Ross, in particular. In early 1967, the name of the act was officially changed briefly to "the Supremes with Di...
Holland–Dozier–Holland left Motown in early 1968 after a dispute with the label over royalties and profit sharing. The quality of Motown's output (and Diana Ross & the Supremes' records in particular) began to falter as a result. From "Reflections" in 1967 to "The Weight" in 1969, only six out of the eleven released singles reached the Top 20, and ...
Diana Ross & the Supremes gave their final performance on January 14, 1970, at the Frontier Hotel in Las Vegas. A live recording of the performance was released later that year in a double-LP box set titled Farewell. At the final performance, the replacement for Diana Ross, Jean Terrell, was introduced. According to Mary Wilson, after this performa...
- The Primettes (1959–1961); Diana Ross & the Supremes (1967–1970)
- Detroit, Michigan, U.S.
- 1959–1977, 1983, 2000
Jun 4, 2023 · The Supremes songs: Their list of hits begins with “Where Did Our Love Go”. “Where Did Our Love Go,” released in 1964, was the turning point for The Supremes, serving as their inaugural number-one hit on the Billboard Hot 100 chart.
Feb 9, 2021 · The Supremes’ Biggest Billboard Hits: ‘Love Child,’ ‘Baby Love’ & More. Among the cavalcade of stars who contributed to Motown’s dominant 1960s decade, The Supremes stood out as just ...
