Yahoo Web Search

Search results

  1. People also ask

  2. The Supremes' eighth studio album, I Hear a Symphony (1966), was their second number-one album on the Billboard R&B chart. It features their seventh and eighth consecutive US million-sellers; the title track, which hit number one in the US and Canada, and US top 5, "My World Is Empty Without You", which also topped the Canadian singles chart.

    • 32
    • 66
    • 4
    • 29
  3. Billboard. Hot 100 number ones of 1965. The Supremes scored four #1 hits in 1965 with "Come See About Me", "Stop! In the Name of Love", "Back in My Arms Again" and "I Hear a Symphony". The Rolling Stones scored their first two #1 hits in 1965 with "(I Can't Get No) Satisfaction" and "Get Off of My Cloud". These are the Billboard Hot 100 number ...

  4. SUPREMES. The Supremes were one of Motown Records' most successful groups, spawning the global hits Where Did Our Love Go, Baby Love and Stop In The Name Of Love. Lead vocalist Diana Ross went ...

    • how many number one hits did the supremes have in 1965 songs1
    • how many number one hits did the supremes have in 1965 songs2
    • how many number one hits did the supremes have in 1965 songs3
    • how many number one hits did the supremes have in 1965 songs4
  5. Feb 9, 2021 · The Supremes’ Biggest Billboard Hits: ‘Love Child,’ ‘Baby Love’ & More. Among the cavalcade of stars who contributed to Motown’s dominant 1960s decade, The Supremes stood out as just ...

  6. en.wikipedia.org › wiki › The_SupremesThe Supremes - Wikipedia

    • Origins
    • Impact
    • Changes
    • Ross's Departure
    • The Supremes in The 1970s

    In Detroit in 1958, Florence Ballard, a junior high school student living in the Brewster-Douglass Housing Projects, met Paul Williams and Eddie Kendricks, who were two members of a Detroit singing group known as the Primes. Ballard sang, as did Paul Williams' girlfriend Betty McGlown, so Milton Jenkins, the Primes's manager, decided to create a si...

    The Supremes deliberately embraced a more glamorous image than previous black performers. Much of this was accomplished at the behest of Motown chief Berry Gordy and Maxine Powell, who ran Motown's in-house finishing school and Artist Development department. Unlike many of her contemporaries, Ross sang in a thin, calm voice, and her vocal styling w...

    Problems within the group and within Motown Records' stable of performers led to tension among the members of the Supremes. Many of the other Motown performers felt that Berry Gordy was lavishing too much attention upon the group and upon Ross, in particular. In early 1967, the name of the act was officially changed briefly to "the Supremes with Di...

    Holland–Dozier–Holland left Motown in early 1968 after a dispute with the label over royalties and profit sharing. The quality of Motown's output (and Diana Ross & the Supremes' records in particular) began to falter as a result. From "Reflections" in 1967 to "The Weight" in 1969, only six out of the eleven released singles reached the Top 20, and ...

    Diana Ross & the Supremes gave their final performance on January 14, 1970, at the Frontier Hotel in Las Vegas. A live recording of the performance was released later that year in a double-LP box set titled Farewell. At the final performance, the replacement for Diana Ross, Jean Terrell, was introduced. According to Mary Wilson, after this performa...

    • The Primettes (1959–1961); Diana Ross & the Supremes (1967–1970)
    • Detroit, Michigan, U.S.
    • 1959–1977, 1983, 2000
  7. Chart History. Billboard Hot 100™. 12 No. 1 Hits. 20 Top 10 Hits. 45 Songs. Billboard Hot 100™. Debut Date. Peak Pos. Peak Date. Wks on Chart. Love Child. Diana Ross & The Supremes....

  8. The Supremes. One of the most successful groups of all time, their number one pop hits include "Where Did Our Love Go" and "Stop! In the Name of Love." Read Full Biography.

  1. Searches related to how many number one hits did the supremes have in 1965 songs

    how many number one hits did the supremes have in 1965 songs list