No Fear Shakespeare – Twelfth Night (by SparkNotes) -1- Original Text Modern Text Act 1, Scene 1 Enter ORSINO, CURIO, and other lords; Musicians playing ORSINO, CURIO, and other lords enter with musicians playing for them. 5 10 15 ORSINO If music be the food of love, play on. Give me excess of it that, surfeiting,
Orsino If music be the food of love, play on. Give me excess of it, that surfeiting, The appetite may sicken and so die. That strain again, it had a dying fall. O, it came o’er my ear like the sweet sound That breathes upon a bank of violets, Stealing and giving odour. Enough! No more! ’Tis not so sweet now as it was before. [Music stops.]
Play that part again! It sounded sad. Oh, it sounded like a sweet breeze blowing gently over a bank of violets, taking their scent with it. That’s enough. Stop. It doesn’t sound as sweet as it did before. Oh, love is so restless! It makes you want everything, but it makes you sick of things a minute later, no matter how good they are.
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No Fear Shakespeare – Twelfth Night (by SparkNotes) -1- Original Text Modern Text Act 1, Scene 1 Enter ORSINO, CURIO, and other lords; Musicians playing ORSINO, CURIO, and other lords enter with musicians playing for them. 5 10 15 ORSINO If music be the food of love, play on.
A Q&A, guided analysis of significant literary devices, and review of the play give students all the tools necessary for understanding, discussing, and writing about Twelfth Night. The expanded content includes: Five Key Questions: Five frequently asked questions about major moments and characters in the play.
Jan 25, 2016 · It is named after the Twelfth Night holiday of the Christmas season. It was written around 1601 and first published in the First Folio in 1623. The main title is believed to be an afterthought, created after John Marston premiered a play titled What You Will during the course of the writing.
No Fear Shakespeare – Macbeth (by SparkNotes) -2- Original Text Modern Text 10 15 20 And choke their art. The merciless Macdonwald— Worthy to be a rebel, for to that The multiplying villanies of nature Do swarm upon him—from the Western Isles Of kerns and gallowglasses is supplied, And fortune, on his damnèd quarrel smiling,
- SCENE I. DUKE ORSINO's palace. Enter DUKE ORSINO, CURIO, and other Lords; Musicians attending. DUKE ORSINO. If music be the food of love, play on; Give me excess of it, that, surfeiting,
- SCENE I. The sea-coast. Enter ANTONIO and SEBASTIAN. ANTONIO. Will you stay no longer? nor will you not that I go with you? SEBASTIAN. By your patience, no. My stars shine darkly over.
- SCENE I. OLIVIA's garden. Enter VIOLA, and Clown with a tabour. VIOLA. Save thee, friend, and thy music: dost thou live by. thy tabour? Clown. No, sir, I live by the church.
- SCENE I. Before OLIVIA's house. Enter SEBASTIAN and Clown. Clown. Will you make me believe that I am not sent for you? SEBASTIAN. Go to, go to, thou art a foolish fellow
See a complete list of the characters in Twelfth Night and in-depth analyses of Viola, Orsino and Olivia, Malvolio, Sebastian, and Antonio. Here's where you'll find analysis about the play as a whole, from the major themes and ideas to analysis of style, tone, point of view, and more ...