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  1. Howard Hawks filmography. Howard Hawks (1896–1977) was an American film director who made 40 films between 1926 and 1970. He is responsible for classic films in genres ranging from film noir, screwball comedy, crime, science fiction and Western .

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      Monkey Business is a 1952 American screwball comedy film...

    • Howard Hawks

      His most popular films include Scarface (1932), Bringing Up...

  2. en.wikipedia.org › wiki › Howard_HawksHoward Hawks - Wikipedia

    His most popular films include Scarface (1932), Bringing Up Baby (1938), Only Angels Have Wings (1939), His Girl Friday (1940), To Have and Have Not (1944), The Big Sleep (1946), Red River (1948), The Thing from Another World (1951), Gentlemen Prefer Blondes (1953), and Rio Bravo (1959).

    • 1916–1970
    • Howard Winchester Hawks, May 30, 1896, Goshen, Indiana, U.S.
  3. 1. The Road to Glory (1926) 93 min | Drama. 6.7. Rate. May McAvoy is a woman who is blinded in an auto accident and relies on prayer to regain her sight. Director: Howard Hawks | Stars: May McAvoy, Leslie Fenton, Ford Sterling, Rockliffe Fellowes. Votes: 56. Lost Film. 2. Fig Leaves (1926) Passed | 70 min | Comedy, Romance. 6.2. Rate.

  4. Dec 26, 2014 · Howard Winchester Hawks (May 30, 1896 – December 26, 1977) was an American film director, producer and screenwriter of the classic Hollywood era. He is popular for his films from a wide range of genres, including screwball comedies [Bringing Up Baby (1938), His Girl Friday (1940), Gentlemen Prefer Blondes (1953)], westerns [Red River (1948 ...

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  6. Howard Hawks. Active - 1923 - 1983 | Born - May 30, 1896 in Goshen, Indiana, United States | Died - Dec 26, 1977 | Genres - Drama, Romance, Adventure. Overview. Filmography. Other Appearances.

  7. Explore the filmography of Howard Hawks on Rotten Tomatoes! Discover ratings, reviews, and more. Click for details!

  8. Apr 29, 2024 · Howard Hawks (born May 30, 1896, Goshen, Indiana, U.S.—died December 26, 1977, Palm Springs, California) was an American motion-picture director who maintained a consistent personal style within the framework of traditional film genres in work that ranged from the 1920s to the ’70s.

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