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  1. Netflix Audio Described Titles › adp › netflixad

    5 days ago · I Now Pronounce You Chuck and Larry [Movie; Comedy; rated PG-13] Apr 2 Ibiza: Love Drunk [Netflix Film; Comedy; rated TV-MA] iBOY [Netflix Film; Thriller; rated TV-MA]

  2. Dollar Tree Blu-rays - Page 652 - Blu-ray Forum › showthread

    Mar 20, 2021 · I Now Pronounce You Chuck And Larry (2007) In The Valley Of Elah (2007) Into The Storm (2014) Iron Sky (2012) It Comes At Night (2017) Jack The Giant Slayer 3D (2013) Java Heat (2013) Jingle All The Way 2 (2014) Joan Rivers: A Piece Of Work (2010) Journey To The Center Of The Earth (2008) The Judge (2014) Just Getting Started (2017) Keyhole (2011)

  3. Dave Matthews - Wikipedia › wiki › Dave_Matthews

    2 days ago · In 2007, Matthews appeared briefly in the movie I Now Pronounce You Chuck and Larry, where he plays a homosexual salesman. In 2008, he appeared in another Adam Sandler movie, You Don't Mess with the Zohan, as a racist redneck character named James.

  4. Mar 23, 2021 · I Now Pronounce You Chuck And Larry ... switched the television on and seen a few clips but never been bothered to watch the movie from start to finish (yet). ...

  5. List of feature films with LGBT characters - Wikipedia › wiki › List_of_films_with_LGBT

    Apr 02, 2021 · I Now Pronounce You Chuck & Larry: Fred Duncan Gay Ving Rhames [citation needed] United States 2007 Planet Terror: Dakota Block Lesbian Bisexual Marley Shelton [citation needed] United States Tammy Visan Lesbian Stacy Ferguson [citation needed] 2007 Pleasure Factory: Jonathan Bisexual Loo Zihan: This film is set in Singapore's red-light ...

  6. Hollywood values - RationalWiki › wiki › Hollywood_values
    • Overview
    • Today
    • A Reality Check
    • Other Things to Think About
    • See Also
    • External Links


    Hollywood, by its very nature, attracted a certain class of people. Much of the American film industry was established by first- and second-generation Jewish, Eastern European, Irish, and Canadian Americans who found themselves locked out of much of the WASP-dominated social and cultural life of the early 20th century. Film, as well as similar industries like vaudeville and musical theater (which both had a substantial influence on the early "talkies" of the 1930s), was considered to be "vulg...


    Meanwhile, a similar revolution was going on in film's rival, television. Despite a few minor blows like the quiz show scandals and FCC chairman Newton Minow's "vast wasteland" speech,it was never anywhere close to the precarious position that the film industry was in. In fact, its success was responsible in a big way for Hollywood's decline in profitability and cultural influence during the 1950s and '60s. However, by the late '60s the "Big Three" American television networks (CBS, NBC, and...

    To sum up...

    In other words, Hollywood didn't suddenly become "immoral" because the liberals running the show wanted to foist decadent values onto American society, they became "immoral" because it was the only way that they could hope to stay in business against foreign competitors. For the television industry, meanwhile, becoming "immoral" afforded them exponentially more advertiser revenue and profit than they had been earning by focusing on Middle American audiences. In other words, it was pure capita...

    The perception that Hollywood is a subversive force in American culture, spreading liberalism and secularism and undermining Real American Values,™ is still widespread within a certain section of the populace. Michael Medved and the late Andrew Breitbart, for example, built cottage industries promoting the idea that conservative actors and filmmakers are actively persecuted by Hollywood's "liberal elite"and prevented from getting work in the film industry. Let us ignore the fact that the "liberal" Hollywood machine cranked out three gung-ho Transformers movies that got progressively more militaristic (and awful) as the franchise went on, as well as the two-hour Marine recruitment ad known as Battle: Los Angeles and the pro-PATRIOT Act, pro-War on Terror blockbuster The Dark Knight. Or the fact that they have shown themselves, over and over again, to be decades behind the times when it comes to what's acceptable regarding race, gender, and indeed just about any cultural issue. It too...

    The bottom line is that Hollywood is run by major corporations. Whatever the personal convictions of individual movie stars may be, the real movers and shakers in Hollywood are the CEOs, chairpersons, and executives of the studios. They make movies with liberal messages because they will make money in the blue states, just as they make movies with conservative messages (such as the aforementioned Transformers movies, the Dark Knight trilogy, the Iron Man films, American Sniper, Red Dawn, etc.) because those will make money in the red states. If Hollywood is liberal, then it is classically liberal, its chief ideology being rooted in profit and keeping the censors off their backs. Since, for nearly a century, it has been culturally conservative Christian activists who have led the calls for censorship, Hollywood has long had practical, bread-and-butter reasons to distrust right-wing politics, and so its culture, if not among the studio heads then certainly among the filmmakers and act...

    Three well-known politicians first gained popularity working in Hollywood: Arnold Schwarzenegger, Ronald Reagan and Donald Trump. Perhaps there is a clue in that? Some of the strongest political voices against Hollywood Values are currently pandering to the film, television and music industries with their support of the Stop Online Piracy Act and the PROTECT IP Act (in the United States House and Senate, respectively) while the Writers Guild of America, West -- a group at the core of "big Hollywood" if ever there was one -- opposes the bills. Apparently, those godless, Japan-loving, Flying Spaghetti Monster-worshiping gamer nerds in Silicon Valley are officially a bigger threat than Hollywood now. On the other hand, Breitbart also opposed SOPA and PIPA. Hey, a stopped clock...

    The Hollywood values that we shouldbe critical of
  7. The Times-Tribune - 2021-04-11 - PressReader › usa › the-times-tribune

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  8. The Times-Tribune - 2021-04-11 - PressReader › usa › the-times-tribune

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