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This reviewer received promo considerations or sweepstakes entry for writing a review. In Order of Disappearance's black comedy doesn't always hit its targets, but on the whole, it still adds up to a sly, entertaining revenge thriller. This review is from In Order of Disappearance [Blu-ray] [2014]
On review aggregator Rotten Tomatoes, the film holds an approval rating of 85% based on 61 reviews, with an average rating of 7/10. The website's critical consensus reads, " In Order of Disappearance ' s black comedy doesn't always hit its targets, but on the whole, it still adds up to a sly, entertaining revenge thriller."
Aug 26, 2016 · Introverted and hard-working snowplow driver Nils (Stellan Skarsgård) has just been named “Citizen of the Year,” when he receives news that his son has died of a heroin overdose. Disbelieving the official report, Nils soon uncovers evidence of the young man's murder - a victim in a turf war between the local crime boss, known as "The Count", and his Serbian rivals. Armed with heavy ...
Aug 26, 2016 · In Order of Disappearance. The body count that Stellan Skarsgård's taciturn snowplow-operating Nils Dickman racks up in Hans Petter Moland's revenge-thriller-comedy "In Order of Disappearance" almost makes Dirty Harry look like a softie. Liam Neeson wreaking havoc around the world after his daughter is kidnapped yet again in the "Taken ...
Sep 9, 2014 · Stellan Skarsgård's Nils contemplates suicide in 'In Order of Disappearance'. The frozen north of Norway seems an unlikely spot for a Serbian drug gang to be operating alongside a local mob, but this is the world which snow-plough driver Nils meets head on when avenging the death of his son. Throw in larger-than-life characters, cartoonish but ...
Jul 14, 2014 · With memorable characters, laugh out loud comedy, moments of horror and pathos, In Order of Disappearance is an excellent piece of writing, matched by a cast who sell the seemingly contradictory ...
Aug 22, 2016 · In Order of Disappearance has a distinctly Scandinavian matter-of-factness that resists the blowhard theatrics of most aging-white-avenger programmers. Cheeky devices, such as the listing of each newly murdered character’s name on the screen, inform Nils’s quest with a haunting sense of pointlessness. We empathize with Nils’s rage and ...
