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  1. 1 INTRODUCTION. In a comprehensive survey of the literature related to “the economics of movies,” McKenzie notes that the preceding decade (corresponding approximately to the years 2000–2010) witnessed a dramatic increase in the number of scholarly studies examining topics relevant to motion pictures as both a product and as an industry (Figure 1).

  2. Jan 1, 2020 · Abstract and Figures. Purpose: Data analytics techniques can help to predict movie success, as measured by box office sales or Oscar awards. Revenue prediction of a movie before its theatrical ...

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    • Finance and Economics
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    • Organization Theory and Strategy

    One of the fundamental questions from a finance and economics perspective has been the risk and return characteristics of the film industry. Films have historically been a business of hits and misses, with far more misses than hits. Because of the highly skewed nature of the returns, these hits account for the vast majority of the profits in the in...

    Marketing scholars study the creation of value through transactions by and relationships with market partners. Consumer preferences play a central role. Those companies that can best address consumers’ preferences create the most value. Digitalization, however, has been fundamentally changing these preferences. It has influenced the types of filmed...

    As in the other streams, many of the questions examined in the context of film by organization theory and strategy scholars have been ones of broad interest to that group, even beyond film. Categories—how consumers sort products, services, organizations, and people into groups—have been a vibrant subject of study over the last two decades. One of t...

    • Thorsten Hennig-Thurau, S. Abraham Ravid, Olav Sorenson
    • 2021
  4. Entertainment Industry Economics A Guide for Financial Analysis, Ninth Edition Theentertainmentandmediaindustries,alreadyimportantsectorsoftheU.S.

  5. There was a time when landline phones where the only means of communication in the film industry. There were no indie trade organizations or studio specialty divisions, HBO had just been born, cable television was a luxury, videocassette machines cost between five hundred and seven hundred dollars, and foreign-language films were the main source of alternative cinema.

  6. Keywords: cinema; movies; independent movies; economics of art; count regressions 1. Introduction Independent film is really a way of thinking. I used to think it was where the money comes from, but now it’s clearly about having a vision and a point of view when you want to tell a story. –Nancy Savoca, film director

  7. Economic Contribution of the UK Film Industry June 2010 1 1. Key points 1The core UK film industry is a substantial industry, directly employing 36,000 people in 2009 (up 7% from 33,500 in 2006) and supporting a total of 100,000 jobs, taking into account those working in its supply chain

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