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  1. Indiana Jones and the Dial of Destiny

    Indiana Jones and the Dial of Destiny

    PG-132023 · Action · 2h 34m

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  1. Jun 30, 2023 · See what critics and audiences say about the fifth Indiana Jones movie, starring Harrison Ford as the iconic archaeologist. Find out the Tomatometer, Audience Score, release date, cast, trailer, and more on Rotten Tomatoes.

  2. Jun 30, 2023 · A critic's review of the 2023 Indiana Jones movie, starring Harrison Ford as the legendary archaeologist. The reviewer praises Ford's performance, but criticizes the film's CGI, action, and story. He praises the film's nostalgia and emotional center, but wishes it had more impact and engagement.

  3. Jun 28, 2023 · Lucasfilm Ltd./Disney. By Manohla Dargis. Published June 28, 2023 Updated June 30, 2023. Indiana Jones and the Dial of Destiny. Directed by James Mangold. Action, Adventure. PG-13. 2h 34m. Find ...

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    By Siddhant Adlakha

    Updated: May 19, 2023 11:07 pm

    Posted: May 19, 2023 10:22 pm

    Indiana Jones and the Dial of Destiny opens in theaters on June 30, 2023

    Indiana Jones and the Dial of Destiny is very much about trying to recapture the series’ lost spark, both in its filmmaking and within the world of the story, but these impulses are set at odds. It’s the tale of a former adventurer who needs to stop living in the past, but the only way it works is by firmly rooting itself in nostalgia. Indiana Jones, the character, needs to move on, but Indiana Jones the franchise won’t let him.

    The Dial of Destiny begins with a de-aged Harrison Ford trying to retrieve an artifact from Nazi plunderers in 1945, alongside his previously unseen colleague, the floundering Basil Shaw (Toby Jones), only to find that an entirely different artifact – the titular dial, said to be a creation of Greek physicist Archimedes – is now in play. Shaw’s role, while small, is a fun one, but he’s given the unenviable task of quipping opposite a positively dead-eyed Ford. His digital face-lift may look fine in photos, but when it comes to motion and delivering lines of dialogue there’s no life behind young Indy’s face.

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    Ford gives it his all, carrying Indy with a mournful sense of reflection, but the rest of the film never rises to his level. It comes ever so close to making the Dial of Destiny mean something in the grand scheme of things, especially as the climax approaches. But a last-second swerve renders the symbolic idea of the Dial – a clock-like artifact representing time itself – little more than wasted potential.

    The action in Dial of Destiny is dull by comparison.

    With the help of Basil’s now-adult daughter, Helena Shaw (Phoebe Waller-Bridge), Indy once again ends up on a global treasure hunt in competition with his Nazi enemies. But Dial of Destiny lumbers from scene to scene, with action that never quite manages to be exciting. There was a glimmer of mischief to the fights and stunts in Spielberg’s Indiana Jones movies, which quickly established their stakes and physical geography before hitting swashbuckling highs. The action in Dial of Destiny is dull by comparison, whizzing by too quickly to land, and with physics too cartoony to leave a lasting impact. At one point Indy runs atop a row of train cars, and the exaggerated movements of his digital stunt double are indistinguishable from those of Woody from Toy Story (fitting, perhaps, since he’s more children’s action figure than flesh & blood human being in this movie).

    This fracturing of Helena’s character is more passing annoyance than central flaw – more plot convenience than plot hole – but it represents the way Dial of Destiny is made from the ground up. Its drama is cobbled together from ideas that are meaningful in isolation – Indy, Helena, and Voller all have complicated outlooks on the past – but they rarely come into contact (let alone in ways that drive the story). Similarly, its action is the result of borderline-functional filmmaking that presents events in sequence, each in their own individual shots, but it seldom presents a causal relationship between them (let alone one where two consecutive images, or the cut connecting them, result in added emphasis or impact). Haphazardly strung-together close ups drive the action, but a wider picture almost never emerges (if it does, it’s barely comprehensible).

    A returning John Williams remains a saving grace, providing grand musical motifs and familiar tunes at just the right moments. However, the camera rarely creates meaning on its own, except when there’s a familiar brown fedora somewhere on screen, at which point it charges towards it like a happy pup reuniting with its owner – a shot that repeats on at least four separate occasions. But there are only so many times it can say “Look! It’s that iconic hat you recognize!” before the well runs dry. Nostalgia is the one trick Indiana Jones and the Dial of Destiny has, and it isn’t a trick it performs particularly well in the first place.

    By yanking Indiana Jones out of retirement yet again, for a fifth (and hopefully final) movie, Disney proves that some things should be allowed to end. Or, at the very least, it proves that a franchise resurrection should spend at least some of its 154 minutes doing something other than trying desperately to justify its own existence. Earnest final...

    IGN gives a negative review to the fifth Indiana Jones movie, criticizing its nostalgic but dull filmmaking, its lack of character development, and its wasted potential. The review praises Harrison Ford's performance but questions the need for another sequel.

    • Siddhant Adlakha
  5. May 18, 2023 · There was genuine curiosity for many of us when James Mangold was confirmed as director on Indiana Jones and the Dial of Destiny, the fifth and final entry in the beloved franchise that started ...

  6. Jun 28, 2023 · Indiana Jones still has a certain old-school class. Indiana Jones and the Dial of Destiny screened at the Cannes film festival and is released on 30 June in UK and Irish cinemas. Explore more on ...

  7. May 19, 2023 · Yet Dial of Destiny creaks under the weight of the franchise’s stature. The movie’s opening flashback scenes give us a much younger Indiana Jones, in the form of a digitally de-aged Harrison Ford.

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