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June 23, 2019. Toy Story 4. $120,908,065. Toy Story 4 broke Toy Story 3 ' s record ($110.3 million) for the highest weekend debut for a G-rated film. Its worldwide opening weekend ($244.5 million) broke Incredibles 2 ' s record ($235.8 million) for the highest worldwide opening weekend for an animated film. [30] 26.
HBO Films / A24 / Bow + Arrow Entertainment. Rashid Johnson (director); Suzan-Lori Parks (screenplay); Ashton Sanders, Margaret Qualley, Nick Robinson, KiKi Layne, Bill Camp, Sanaa Lathan, Stephen McKinley Henderson, Lamar Johnson, Jerod Haynes, Barbara Sukowa, Elizabeth Marvel, David Alan Grier, Aaron Clifton Moten.
2019 in film is an overview of events, including the highest-grossing films, award ceremonies, critics' lists of the best films of 2019, festivals, a list of country-specific lists of films released, and movie programming. Avengers Endgame was the year's highest grossing film and the highest-grossing of all-time until Avatar regained the top ...
- “Anima”
- “The Art of Self-Defense”
- “The Biggest Little Farm”
- “Booksmart”
- “David Crosby: Remember My Name”
- “Diamantino”
- “An Elephant Sitting Still”
- “The Farewell”
- “Hail Satan?”
- “Her Smell”
The most perfect visualization to date of Thom Yorke’s music, Netflix’s “ANIMA” finds a way to tunnel out and escape from the oppressiveness that people tend to associate with the slippery rock star. Paul Thomas Anderson’s film only wears a veil of dystopian uniformity so that it can fling it off and touch the tender spots underneath; so that it ca...
This sort of dark, jagged storytelling won’t settle with viewers who require every emotional beat to be telegraphed upfront, and regardless, the movie pushes the limits of its appeal over the course of 104 minutes. Riley Stearns’ script has a tendency to linger on dry interactions that can turn clunky when they overstay their welcome. But “The Art ...
From the opening minutes of “The Biggest Little Farm,” John Chester makes it clear his utopian vision is going to fail. With his wife Molly, a culinary writer, the filmmaker abandoned their Santa Monica home to launch a sustainable farm an hour outside the city. The movie tracks this epic saga across seven years of hiccups and tragic developments a...
Olivia Wilde’s feature directorial debut transforms Katie Silberman’s episodic script into a relentless stream of hilarious antics rooted as much in the authentic chemistry of its two leads as their zany misadventures. The best comedy of its kind since “Superbad,” Wilde’s slick, unpredictable romp can sometimes feel like several movies at once. Thi...
Legendary rocker David Crosby has never been one to mince words, but in A.J. Eaton’s startlingly intimate documentary “David Crosby: Remember My Name,” the singer and guitarist finally uses his words to tap into something long-necessary: genuine self-reflection. Eaton’s film goes deep with the musician, and quickly. Within the first five minutes of...
“Diamantino” is nothing less (and so much more) than the movie the world needs right now. Co-directed by Gabriel Abrantes and Daniel Schmidt, this winningly demented 21st century fairy tale centers on a beautiful, child-like soccer phenom named Diamantino who reacts to a devastating World Cup loss by adopting a Mozambican refugee who claims to be a...
It’s tempting to think of “An Elephant Sitting Still” as a suicide note written with blood in a dirty patch of hard snow. Hard to sit through and impossible to forget, this torpid four-hour anti-drama is suffused with the sort of hopelessness that cinema only sees every once in a long while (Werner Herzog’s “Stroszek” and Béla Tarr’s “The Turin Hor...
Based on a 2016 episode of “This American Life” drawn from filmmaker Lulu Wang’s own experiences, “The Farewell” centers on Billi (Awkwafina), an out-of-work New York writer who learns from her parents that her beloved grandmother — that is, her “Nai Nai” (Zhao Shuzhen) — has terminal cancer. Following Chinese tradition, Billi’s relatives have agre...
An unexpected and truly bizarre thought might — no, will — occur to most viewers during “Hail Satan?,” though the lightning bolt of an idea is sure to strike different people at different points of Penny Lane’s provocative, hilarious, and latently enraging documentary about The Satanic Temple. For this critic, it happened during the opening sequenc...
Alex Ross Perry’s work has always had the courage to be profoundly unpleasant, but none of his previous stuff can prepare you for the incredible sourness of “Her Smell,” which is one of the most noxious movies ever made before it hits bottom and tunnels out through the other side. Not coincidentally, it’s also Perry’s best. Imagine if Danny Boyle’s...
Sep 6, 2019 · Indie film releases made up approximately 11% of the 2019 domestic box office to date, which comes to approximately $890 million out of the $7.8 billion that all of Hollywood has amassed.
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Dec 2, 2019 · 4. “Long Day’s Journey Into Night”. Bi Gan’s “Long Day’s Journey Into Night” has nothing to do with the Eugene O’Neill play of the same title, but that’s not the only ...
