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  1. Industrial music is a genre of music that draws on harsh, mechanical, transgressive or provocative sounds and themes.

  2. This is a list of notable bands who have predominately produced industrial music. Separate lists are maintained of bands that predominately produce electro-industrial and industrial metal . This is a dynamic list and may never be able to satisfy particular standards for completeness.

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    • Pierre Schaeffer – “Etude aux chemins de fer” (1948) As World War II drew to a close, the radio and recording studios of France afforded Pierre Schaffer a unique opportunity to intersect his interests in sonic art and science.
    • Cromagnon – “Caledonia” (1969) Pounding drums, radio wave static, sampled orchestral music, fuzz guitar, bagpipes(!) and something approaching a black metal vocal hiss—in 1969 there was essentially no frame of reference for this combination of sounds, certainly not one so heavy and intense.
    • Suicide – “Frankie Teardrop” (1977) Although not an industrial band per se, the proto-electronic darkness of Suicide’s “Frankie Teardrop” is a template for early Industrial music, its experimental leanings and harrowing intensity.
    • Throbbing Gristle – “Hamburger Lady” (1978) Formed out of performance art troupe COUM Transmissions, Throbbing Gristle coined the term “industrial” but they didn’t limit what that entailed, their early recordings ranging from noise to sound collage, disco, synth-laden kosmische and exotica.
  4. Jun 7, 2021 · Industrial music is a genre that combines elements of hardcore punk rock, heavy metal, electronic music, and propulsive club beats. Industrial bands like Ministry, KMFDM, Nine Inch Nails, and Front Line Assembly use rock instruments like guitar, bass, and drums paired with synthesizers and sequencers more common to dub, hip hop, and dance music.

  5. Industrial music, dissonant electronic music that arose in the late 1970s in response to punk rock. Coined by British postpunk experimentalists Throbbing Gristle, the term industrial simultaneously evoked the genre’s bleak, dystopian worldview and its harsh, assaultive sound (“muzak for the death.

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