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Persona (film) Persona är en svensk dramafilm från 1966 i regi av Ingmar Bergman. Filmen handlar om två kvinnor, sköterskan Alma och skådespelerskan Elisabet, spelade av Bibi Andersson och Liv Ullmann. Även Margaretha Krook och Gunnar Björnstrand medverkar i mindre roller.
—Ingmar Bergman Ingmar Bergman: The Serpent’s Skin, Cahiers du Cinéma in English #11, September 1967. THROUGH PERSONA: A POEM IN IMAGES “A film that experiments with the idea of cinema and the possibilities it offers, Ingmar Bergman’s Persona explores the notion of identity while revealing the poetic qualities at the heart of the ...
A Persona egy 1966-ban készült, 85 perces, fekete-fehér svéd film Ingmar Bergman rendezésében. Történet [ szerkesztés ] A film nyitójelenete egymásba vágott képkockák sora: egy lefogott tenyérbe szöget ütnek, hullák, pergő filmtekercs, idős halott asszony, fiatal halott gyerek, majd a halott gyermek az ágyon megmozdul ...
Persona (English Subtitled) This genre-blurring, minimalist masterpiece from Ingmar Bergman follows a young nurse and her patient, an actress who has mysteriously gone mute. The women retreat to a seaside cottage to aid the actress's rehabilitation, but the intimacy embroils them in a stranger, stronger bond. A classic of world cinema, Persona ...
- 84 min
May 3, 2022 · Performed with astonishing nuance and shot in stark contrast and soft light by Sven Nykvist, the influential Persona is a penetrating, dreamlike work of profound psychological depth. Written and Directed by Ingmar Bergman. Cinematography by Sven Nykvist. Assistant camera: Anders Bodin & Lars Johnsson. Assistant Director: Lenn Hjortzberg.
- May 3, 2022
- 22.1K
- slojinksi
Feb 22, 2021 · Persona is a 1966 horror psychological drama directed by Swedish filmmaker Ingmar Bergman. The story revolves around an actress named Elizabeth who during a live performance of ‘Electra’ becomes mute and is cared for by a nurse named Alma. Throughout the film, it is made clear to the viewers that perhaps the characters of Elizabeth and Alma ...
"Persona" by Susan Sontag, Sight and Sound, Autumn 1967: One impulse is to take Bergman's masterpiece for granted. Since 1960 at least, with the breakthrough into new narrative forms propagated with most notoriety (if not greatest distinction) by Last Year in Marienbad, audiences have continued to be educated by even more elliptical and complex work.
