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  1. Into the Ashes

    Into the Ashes

    2019 · Action · 1h 37m

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  1. Jul 19, 2019 · Powered by JustWatch. “Into the Ashes” tells a blood-soaked story of violence, betrayal, and revenge that's so familiar that if one of the actors on the screen inexplicably forgot what to say, a viewer could feed them their lines without hesitation. The problem is not that it tells a story that's been done many times before, but that it ...

  2. Jul 19, 2019 · Rated 2/5 Stars • Rated 2 out of 5 stars 11/11/23 Full Review Barbara A If you want to feel tortured, hopeless, depressed and feel your life is a dead end street, watch this movie. The actors ...

    • (21)
    • Luke Grimes
    • Aaron Harvey
    • Action, Mystery & Thriller
  3. Jul 19, 2019 · Into the Ashes: Directed by Aaron Harvey. With Marguerite Moreau, Luke Grimes, Frank Grillo, James Badge Dale. Nick escapes his criminal past and 2 partners, gets a steady job, a friend at work and marries the sheriff's daughter.

    • (4.3K)
    • Crime, Drama, Thriller
    • Aaron Harvey
    • 2019-07-19
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  5. Full Review | Original Score: 3/4 | Jul 19, 2019. Into the Ashes tells a blood-soaked story of violence, betrayal, and revenge that's so familiar that if one of the actors on the screen ...

  6. Jul 19, 2019 · The true center of the story is Luke Grimes’ Nick, who has shed his dark past and is now living an uneventful and quiet life — married to a wonderful woman, working at a furniture store ...

    • rroeper@suntimes.com
  7. English. Box office. $9,687 [1] Into The Ashes is a 2019 American action drama film written, produced and directed by Aaron Harvey, starring Luke Grimes, Frank Grillo, Robert Taylor, James Badge Dale and Marguerite Moreau. [2] [3] It was released theatrically in the United States on July 19, 2019, by RLJE Films. [4]

  8. Jul 17, 2019 · Aaron Harvey’s visually interesting, but ultimately lethargic, Western-noir “Into the Ashes” attempts to synthesize brooding character study with a violent action film, but instead, ends up falling short of being a quality example of either. Favoring large sections of silence before violent outbursts, Harvey’s latest directorial effort has style but is bogged down by thin […]

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