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  1. Iris Renate Dorothea Berben [1] (* 12. August 1950 in Detmold) ist eine deutsche Schauspielerin, Synchronsprecherin und Aktivistin gegen Antisemitismus. Einem breiteren Publikum wurde sie 1978 durch Zwei himmlische Töchter unter der Regie von Michael Pfleghar bekannt.

  2. www.imdb.com › name › nm0001941Iris Berben - IMDb

    Iris Berben. Actress: Triangle of Sadness. After her parents divorced, she moved to Hamburg with her mother. There she attended elementary school and then several boarding schools. She stopped her school education before graduating from high school. Berben was active in the Hamburg protest scene and came to film in the late 1960s.

    • January 1, 1
    • 1.69 m
    • Detmold, North Rhine-Westphalia, Germany
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  4. Iris Berben. Actress: Triangle of Sadness. After her parents divorced, she moved to Hamburg with her mother. There she attended elementary school and then several boarding schools. She stopped her school education before graduating from high school. Berben was active in the Hamburg protest scene and came to film in the late 1960s.

    • August 12, 1950
  5. nl.wikipedia.org › wiki › Iris_BerbenIris Berben - Wikipedia

    Televisieseries. Luisterboeken. Hoorspel. Publicaties. Literatuur. Iris Berben ( Detmold, 12 augustus 1950) [1] [2] [3] [4] [5] is een Duitse actrice en stemactrice. Biografie. Berben groeide op in Hamburg als dochter van een gastronomen-echtpaar.

    • Detmold, 12 augustus 1950
    • Film
  6. Iris Berben, born 1950, is one of the most popular actresses of German film and television. Throughout her career, she has received numerous awards and accolades for her artistic achievement. Iris Berben is strongly committed to the fight against forgetting, right-wing extremism and anti-Semitism.

  7. Iris Renate Dorothea Berben [1] (pronunciado /ˈiːʁɪs ˈbɛʁbm̩/ ⓘ Detmold,12 de agosto de 1950) es una actriz, dobladora y activista alemana contra el antisemitismo. Se dio a conocer al gran público en 1978 con Zwei himmlische Töchter (Dos hijas celestiales), dirigida por Michael Pfleghar .

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