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  1. Neil Simon's “The Cheap Detective” begins with an interesting, if hardly original, premise: Have Peter Falk do his Humphrey Bogart imitation, and plug him into a simultaneous satire of “Casablancaand “The Maltese Falcon.”. Populate the cast with as many stars as you can sign up for three days' work, give the whole thing terrific ...

  2. Budget. $5-6 million [1] Box office. $28,221,552 [2] The Cheap Detective is a 1978 American mystery comedy film written by Neil Simon and directed by Robert Moore. [3] It stars Peter Falk as Lou Peckinpaugh, a parody of Humphrey Bogart. [3] The film is a parody of Bogart films such as Casablanca and The Maltese Falcon.

    • June 23, 1978
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  4. 'The Cheap Detective' represents a satirical look at many of Humphrey Bogart's best movies: 'Casablanca,' 'The Maltese Falcon,' and 'The Big Sleep' most prominently. There are small bits of business spoofing several others.

    • Robert Moore
    • 3 min
  5. Neil Simon was a sophisticated successful writer, on The Cheap Detective he made a tribute for those Bogie's picture as Casablanca, The Maltese Falcon and The Big Sleep, it wasn't properly funny, it was a satire of all them, having on the not so smart Detective Lou Peckinpaugh (Peter Falk) symbolizing Humphrey Bogart, Neil Simon brings Louise ...

  6. Apr 26, 2021 · Yes, The Cheap Detective is essentially a spoof of The Maltese Falcon and Casablanca. Its plot is serviceable, but Simon clearly didn't put much effort into it. Instead, he chose to focus on "the funny"--packing his comedy with one-liners, wacky situations, and relying on an engaging cast.

  7. In this satire of film noir, Lou Peckinpaugh (Peter Falk) is a San Francisco detective in the boozy, wise-cracking tradition of Humphrey Bogart in "The Maltese Falcon." A suspect in the murder of ...

    • (17)
    • Comedy
    • PG
  8. Mar 3, 2016 · The Cheap Detective (1978) With the somewhat surprise success of Simon’s Murder By Death, the folks at Columbia were suddenly interested in the playwright’s spoofing abilities, so a “sequel” of sorts was green lit: a satire of Humphrey Bogart’s film noir classics, specifically Casablanca and The Maltese Falcon.