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1. pitchfork.com › reviews › albumsThe Highwomen: The Highwomen Album Review | Pitchfork

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   Sep 18, 2019 · By Grayson Haver Currin. Genre: Folk/Country. Label: Low Country Sound / Elektra. Reviewed: September 18, 2019. On a dozen songs that transcend stereotypes of women in country music, this...

2. www.savingcountrymusic.com › album-review-theAlbum Review – “The Highwomen” (Self-Titled) - Saving Country ...

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   Sep 10, 2019 · Album Review – “The Highwomen” (Self-Titled) We thought the press and marketing push behind Kacey Musgraves and Golden Hour was a little ridiculous in its fawning praise and lack of perspective, with multiple mostly pop-oriented writers presumptuously declaring the album the best country music record all year in late March.

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   Who are the Highwomen in country music?

   • On a dozen songs that transcend stereotypes of women in country music, this supergroup explores love, politics, and family. At the start of their powerful self-titled debut, the Highwomen—four leading women, banded together from distant corners of the country-music universe—go for the genre’s androgenic throat.

   The Highwomen: The Highwomen Album Review | Pitchfork

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   Is the Highwomen a good song?

   • The song’s real power, though, is its vulnerability, expressed through Carlile’s confession that she’s not the best partner, but she’s trying all the time. The Highwomen is a safe space for all kinds of honesty. The Highwomen have expressed a rebellious kinship with their predecessors in The Highwaymen.

   The Highwomen: The Highwomen Album Review | Pitchfork

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   Who are the four women in 'Highwomen'?

   • In “Highwomen,” they tell the story of four women who suffered for being ahead of their time, an immigrant, a doctor, a freedom bus rider during the civil rights movement, and a preacher, who may have been martyred but their spirits overcame all obstacles.

   The Highwomen: The Highwomen [Album Review] - The Fire Note

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   Are the Highwomen a safe space for honesty?

   • The Highwomen is a safe space for all kinds of honesty. The Highwomen have expressed a rebellious kinship with their predecessors in The Highwaymen. “Wanting to do things their own way is what we’re sort of trying to mime,” Shires told The New York Times of the connection.

   The Highwomen: The Highwomen Album Review | Pitchfork

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4. www.pastemagazine.com › music › the-highwomenThe Highwomen’s Debut is One Giant Step for Country Music

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   8.9. The Highwomen’s Debut is One Giant Step for Country Music. Natalie Hemby, Maren Morris, Amanda Shires and Brandi Carlile tap into their unique talents and backgrounds to make a brilliant...

5. www.vulture.com › the-highwomen-album-reviewThe Highwomen Album Review - Vulture

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   Sep 6, 2019 · album review Sept. 6, 2019. ... “Highwomen,” the opener and cornerstone of country supergroup the Highwomen’s self-titled debut, is a chilling montage of destruction. In five verses ...

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6. www.theguardian.com › music › 2019The Highwomen: The Highwomen review – country supergroup ...

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   Sep 6, 2019 · The all-star quartet upend rootsy conventions to hit some rollicking highs – but can’t fully escape the classic pitfalls. Michael Hann. Fri 6 Sep 2019 04.30 EDT. I n 1985, Johnny Cash had to ...

7. www.theatlantic.com › entertainment › archive'The Highwomen' Review: Feminism Sounds Country Classic - The ...

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   Sep 6, 2019 · Polished and lush, throwback-y but not anachronistic, and packed with well-drawn melodies, the album dares country-radio programmers to continue their notorious habit of downplaying female...

8. thefirenote.com › reviews › the-highwomen-theThe Highwomen: The Highwomen [Album Review] - The Fire Note

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   Sep 17, 2019 · Album Review: The idea of a collaborative supergroup of female country artists is hardly novel, but dates all the way back to early sing-alongs on the Grand Ol’ Opry, but was no doubt given contemporary commercial viability when Dolly Parton, Linda Ronstadt and Emmylou Harris came together for “Trio” in 1987.