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  1. Jul 30, 2016 · Was he the last imitator of Neoclassicism, a repentant Romantic or a precursor of Symbolism? The full richness of the paradoxical and inventive work of Charles Gleyre, which is a mirror for the 19th century, can now be seen afresh by the 21st century. From Parisian apprentice to Roman brigand

  2. Marc Gabriel Charles Gleyre (2 May 1806 – 5 May 1874), was a Swiss artist who was a resident in France from an early age. He took over the studio of Paul Delaroche in 1843 and taught a number of younger artists who became prominent, including Henry-Lionel Brioux, [1] George du Maurier, [2] Claude Monet, Pierre-Auguste Renoir, Louis-Frederic ...

    • 5 May 1874 (aged 68), Paris, France
    • 2 May 1806, Chevilly, Switzerland
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  4. Marc Gabriel Charles Gleyre ( 1806-1874) was a Swiss artist who was a resident in France from an early age. He took over the studio of Paul Delaroche in 1843 and taught a number of younger artists who became prominent, including Claude Monet, Pierre-Auguste Renoir, Alfred Sisley, James Abbott McNeill Whistler, Auguste Toulmouche, Louis-Frederic ...

  5. Charles Gleyre (1806-1874) was a renowned Swiss painter of the 19th century. Born in Chevilly, a village in Switzerland, Gleyre demonstrated a strong inclination towards art from an early age. He began his artistic journey by attending the Academy of Fine Arts in Paris, where he studied under several influential painters such as Jean-Auguste-Dominique Ingres. […]

  6. Charles Gleyre, born Marc Gabriel Charles Gleyre on May 2, 1806, was a renowned Swiss artist whose influence spanned continents and generations. His works, p...

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    • Classical Art
  7. Particularly significant was the British Impressionist movement of the late-nineteenth century. James Abbott McNeill Whistler, an American expatriate in London, pioneered a loose, liquid style of painting which, in his famous Nocturne series, brilliantly conveyed the gloom and glamor of nightfall on the River Thames.

  8. He began copying paintings at the Louvre in 1860 and eventually entered the studio of the academic artist Charles Gleyre, where he met Claude Monet, Frédéric Bazille, and Alfred Sisley. The four friends soon began painting in the forest of Fontainebleau , although Renoir always remained dedicated to figure painting and portraits.

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