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  1. Apr 30, 2019 · Parents need to know that Dragged Across Concrete is a crime drama from writer/director S. Craig Zahler (Bone Tomahawk, Brawl in Cell Block 99), which means it's very long and brutally violent, but it's also difficult to forget or dismiss. Extreme violence includes guns and shooting, deaths, bloody corpses, a hand being shot off (gore shown ...

    • S. Craig Zahler
    • Jeffrey M. Anderson
    • Mel Gibson, Vince Vaughn, Tory Kittles
  2. Apr 04, 2019 · Zahler’s Dragged Across Concrete can be brutal, disgusting, repugnant, stomach-turning, and the farthest thing from altruistic as one film can be. The only problem is that it is so compulsively watchable that you can’t turn away. Even for a second. You may start to hate yourself for thinking he has taken exploitation films to the level of ...

  3. Dec 30, 2019 · Zahler’s Dragged Across Concrete is deliberately paced but tense and absorbing. It got its hooks into me fairly early on, and it didn’t let go of me until the final credits started to roll. With that having been said, it will test the patience of audiences. Zahler has the nerve and the confidence to film stakeouts in excruciating detail.

  4. Mar 25, 2019 · Get 1 year for $29.99 $15 + a free tote. Join Now. But Dragged Across Concrete, of course, has a more complicated narrative than that. Its stars, Gibson and Vaughn, are, in one case, a former ...

    • K. Austin Collins
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  6. Oct 21, 2018 · Call it Cop Privilege. Arrest enough thugs, and society owes you much more than your cop salary. It's what Mel Gibson's character swears by in 'Dragged Across Concrete.' Yes, we're back in director S. Craig Zahler's world. The men are morally tortured, the dialogue packs a satisfying snap and the scenes play out in excruciating fashion. You'd swear the film's editor fell asleep and woke up to ...

  7. Mar 22, 2019 · In every way, “Dragged Across Concrete” feels like it’s trying to challenge you. It’s a little racist, a little sexist, almost aggressively slow—we watch Vaughn eat an egg salad sandwich in what feels like real time—and incredibly violent.

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