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  1. en.wikipedia.org › wiki › KundunKundun - Wikipedia

    Kundun. Kundun is a 1997 American epic biographical film written by Melissa Mathison and directed by Martin Scorsese. It is based on the life and writings of Tenzin Gyatso, the 14th Dalai Lama, the exiled political and spiritual leader of Tibet. Tenzin Thuthob Tsarong, a grandnephew of the Dalai Lama, stars as the adult Dalai Lama, while Tencho ...

    • December 25, 1997 (United States)
    • Barbara De Fina
  2. The film follows him into adulthood: when he is 14, the Chinese invade Tibet and he is forced into a shaky coalition government; he travels to China to meet with a cynical Mao; and, finally, in 1959, ill and under siege, he flees to India. Throughout, he has visions of his people's slaughter under Chinese rule. — <jhailey@hotmail.com>.

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  4. Dec 21, 2023 · Kundun is based on a true story. The events portrayed in Kundun are based on the real-life experiences of the 14th Dalai Lama, making it a compelling and historically significant film. It captures the struggle for Tibetan independence.

  5. An interesting portrayal of the cruel,bullying, arrogant imperialist Chairman Mao enjoying the good life whilst his citizens suffered. The film portrays the issues successfully and is memorable. We should not forget Tibet and the Tibetan peoples' desire for a restoration of independence and freedom.

  6. Based on a True Story: Created by Craig Rosenberg. With Kaley Cuoco, Chris Messina, Tom Bateman, Priscilla Quintana. A realtor, a former tennis star, and a plumber seize a unique opportunity to capitalize on America's obsession with true crime.

    • (14.2K)
    • 2 min
    • TV-MA
  7. Oct 18, 2023 · In the 1998 documentary In Search of Kundun With Martin Scorsese, Mathison recalls being given a list of possible directors and saying, “The only person I want to send it to is not on your list ...

  8. Jan 16, 1998 · "Kundun" is structured as the life of the 14th Dalai Lama, but he is simply a vessel for a larger life or spirit, continuing through centuries. That is the film's strength, and its curse. It provides a deep spirituality, but denies the Dalai Lama humanity; he is permitted certain little human touches, but is essentially an icon, not a man.

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