Search results
Sep 25, 2017 · Mary and the Witch’s Flower doesn’t just borrow elements from Ghibli, it feels like a complete continuation of the studio’s work. It’s a welcome relief for every animation fan who thought...
- Tasha Robinson
Box office. $ 42.2 million [3] Mary and the Witch's Flower ( Japanese: メアリと魔女の花, Hepburn: Meari to Majo no Hana) is a 2017 Japanese animated fantasy film co-written and directed by Hiromasa Yonebayashi, produced by Studio Ponoc founder Yoshiaki Nishimura, animated by Studio Ponoc, and distributed by Toho in Japan.
- メアリと魔女の花
- The Little Broomstick, by Mary Stewart
- Meari to Majo no Hana
- Hiromasa Yonebayashi
People also ask
Is Mary and the Witch's flower based on Ghibli?
Is Mary and the Witch's flower a Japanese movie?
Is Mary and the Witch's flower CC-BY-SA?
Is Mary and the Witch's flower a good movie?
In December 2016, Studio Ponoc unveiled the first teaser of Mary and the Witch's Flower. The release date was set for July 8, 2017. In January 2017, Hayao Miyazaki visited Ponoc's offices to see his former collaborators, who have dubbed the studio as the "next generation of Ghibli".
Jan 19, 2018 · Continuing Yonebayash's fascination with British fantasy novels (which inspired Ghibli's last feature he directed, When Marnie Was There ), Mary and The Witch's Flower is an...
- Jess Joho
- jjoho@mashable.com
Apr 27, 2018 · Mary and the Witch’s Flower feels truly timeless, an animated classic in waiting that will delight audiences both young and old. Hiromasa Yonebayashi has captured the very essence of Studio Ghibli for this first Studio Ponoc effort; but whereas Miyazaki and Takahata peppered their films with deeper political messages, his humble aim is to ...
May 4, 2018 · Interview. 'A full English every morning': how UK food and weather inspires Japanese anime directors. Steve Rose. Mary and the Witch’s Flower director Hiromasa Yonebayashi on why Japanese...
Jan 19, 2018 · “Mary and the Witch’s Flower,” the first film from Studio Ponoc, an animation outfit founded by Studio Ghibli veterans Hiromasa Yonebayashi and Yoshiaki Nishimura after Ghibli closed its doors in 2015, starts in medias res, with a violent firestorm engulfing the screen.
