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On the topic of 3-D, Schneider said "Transformers 3 was a mix of native stereoscopic 3-D camera capturing and 2-D/3-D conversion (as a 3-D tool), and most was done very well." He added, "At a minimum, Transformers 3 demonstrates that fast cutting sequences are indeed possible and practical in stereoscopic 3-D.
- $1.124 billion
- Steve Jablonsky
- $195 million
4. For a last push on the final weekend of work, ILM’s entire render farm was used for Transformers 3. ILM calculates that that added up to more than 200,000 rendering hours per day -- or the ...
- The Driller consists of 70,051 parts. By contrast, Optimus Prime, the head Autobot, has just 10,108 parts. Due to the complexity of the Driller, and the fact that he lays waste to a skyscraper, only a few artists working with ILM’s most powerful desktop machines were able to load the shots where the machine takes on the building.
- Massive computing power was needed so that the Driller could destroy the skyscraper: Rendering is the process of calculating the information in a CG file for final video output — essentially by turning numbers into images.
- Stereo 3D added to the complexity. At the time of the live-action shoot, choices were made about the interocular distance, which is the distance between the centers of the lenses of the two cameras.
- For a last push on the final weekend of work, ILM’s entire render farm was used for Transformers 3. ILM calculates that that added up to more than 200,000 rendering hours per day — or the equivalent of 22.8 years of render time in a 24-hour period.
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Stereoscopic Parallax Budget (sometimes called Depth Budget) vs Depth Bracket The Depth Bracket of your scene refers to the actual distance between your closest object in the frame and the furthest object. The Parallax Budget refers to your calculated maximum positive parallax and desired maximum negative parallax represented in percentage of scree...
Side by Side Rig vs Beam-Splitter Rig Interaxial separation is an important factor when shooting S3D so therefore the width of your two cameras will determine the minimum interaxial separation in a side by side rig. Both of these interaxial distances are far too wide for any application other than hyper-stereo shots of landscapes, mountain ranges, ...
So you’ve shot your footage and now you want to edit and watch it. If you work with After Effects, Motion or Final Cut Pro on the Mac please watch some of the tutorials on this website to learn more about how Stereo3D Toolbox can help you master your S3D content. Fixing Disparity and Setting Convergence Most stereoscopic post software has sliders t...
Jul 31, 2019 · Stereo Color Grading. Stereo color grading is an additional step, when compared to standard 2D finishing, which needs to be accomplished after the depth grade is complete. Native shot 3D footage is much more challenging to match color from one eye to another. Reflections or flares may appear in one and not the other. We call this retinal conflict.
Jun 2, 2011 · If you don't know, James Cameron lobbied Micahel Bay to use 3D in this film, even when Bay himself wasn't convinced.After deciding to go 3D, Bay used Cameron's 3D team from Avatar to film Transformers 3, and that team - which had already created one revolutionary success - pushed the boundaries of 3D filming even further, resulting in new rigs and camera designs to create that one-of-a-kind ...
1. 3D film. A 3D or 3-D (three-dimensional) film or S3D (stereoscopic 3D) film [5] is a motion picture that enhances the depth cues seen by the viewer. The most common approach to the production of 3D films is derived from stereoscopic photography. In it, a regular motion picture camera system is used to record the images as seen from two ...
