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- Since the late 20th century, critics have considered Wide Sargasso Sea as a postcolonial response to Jane Eyre. Rhys uses multiple voices (Antoinette's, her husband's, and Grace Poole's) to tell the story, and intertwines her novel's plot with that of Jane Eyre.
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Mar 11, 2018 · The postcolonial novel deals implicitly and explicitly with ‘the ideas of nation and nationhood’, regarding the struggle of nations after colonial control is relinquished to regain a sense of their own nation and for the population a sense of nationhood.
Wide Sargasso Sea What is "post-colonialism"? The field known as "Post-Colonial Studies" gained recognition as an academic discipline in the 1960s, the same decade in which Jean Rhys penned Wide Sargasso Sea.
Jean Rhys' Wide Sargasso Sea is a product of the modern postcolonialism and the use of language she does represents her extraordinary ability to subvert the ideologies of the West, deconstructing the European discourse and monocentrism.
Mar 14, 2024 · Wide Sargasso Sea, novel by Jean Rhys, published in 1966. A well-received work of fiction, it takes its theme and main character from the novel Jane Eyre by Charlotte Brontë. The book details the life of Antoinette Mason (known in Jane Eyre as Bertha), a West Indian who marries an unnamed man in Jamaica and returns with him to his home in England.
- The Editors of Encyclopaedia Britannica
Sep 1, 2014 · Despite the fact that the story retold in Wide Sargasso Sea on the surface seems to be a pathetic love story of a Creole woman who goes crazy due to unrequited love in her marriage to an...
Wide Sargasso Sea is a 1966 novel by Dominican-British author Jean Rhys. The novel serves as a postcolonial and feminist prequel to Charlotte Brontë's novel Jane Eyre (1847), describing the background to Mr. Rochester's marriage from the point-of-view of his wife Antoinette Cosway, a Creole heiress.
Wide Sargasso Sea has generated heated debate among these literary critics, resisting easy categorization within the context of twentieth-century fiction. As a postcolonial work, the novel indicts England's exploitative colonial empire, aligning its sympathies with the plight of the Black Caribbeans.
