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Titre: Convergence. Créateur: Jackson Pollock. Date de création: 1952. Dimensions physiques: support: 93 1/2 x 155 pouces (237,49 x 393,7 cm); encadré: 95 1/4 x 157 1/8 x 3 pouces (241,94 x 399,1 x 7,62 cm) Contributeur: Collection Albright-Knox Art Gallery, Buffalo, New York; Don de Seymour H. Knox, Jr., 1956 (K1956:7) Lien externe: Plus d ...
In 1951, Jackson Pollock affirmed, “It seems to me that the modern painter cannot express his age, the airplane, the atom bomb, the radio, in the old forms of the Renaissance or any other past culture. Each age finds its own technique.” During the late 1940s, Pollock developed the technique for which he is best known—drip painting.
In 1951, Jackson Pollock affirmed, “It seems to me that the modern painter cannot express his age, the airplane, the atom bomb, the radio, in the old forms of the Renaissance or any other past culture. Each age finds its own technique.” During the late 1940s, Pollock developed the technique for which he is best known—drip painting.
In 1951, Jackson Pollock affirmed, “It seems to me that the modern painter cannot express his age, the airplane, the atom bomb, the radio, in the old forms of the Renaissance or any other past culture. Each age finds its own technique.” During the late 1940s, Pollock developed the technique for which he is best known—drip painting.
Oct 23, 2023 · Jackson Pollock’s Convergence (1952): An Emblem Of Freedom, Complexity, And Innovation. In the vast repertoire of modern art, Jackson Pollock’s Convergence, created in 1952, stands as a towering testament to creative freedom, emotional intensity, and unconventional innovation. Measuring 93.5 by 155 inches, this monumental work is a ...
Título: Convergencia. Creador: Jackson Pollock. Fecha de creación: 1952. Dimensiones físicas: soporte: 93 1/2 x 155 pulgadas (237,49 x 393,7 cm); enmarcado: 95 1/4 x 157 1/8 x 3 pulgadas (241,94 x 399,1 x 7,62 cm) Colaborador: Colección Albright-Knox Art Gallery, Buffalo, Nueva York; Regalo de Seymour H. Knox, Jr., 1956 (K1956:7) Enlace ...
But despite the splash that Pollock made in the art world (pun very much intended) with his unique style, he was ready to move onto something new by the 1950s. So, Convergence originally started as an experiment in black and white. But Pollock took one look at the colorless canvas, thought hell naw, and started adding hues on top in an attempt ...
