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James Abbott McNeill Whistler RBA ( / ˈwɪslər /; July 10, 1834 – July 17, 1903) was an American painter in oils and watercolor, and printmaker, active during the American Gilded Age and based primarily in the United Kingdom. He eschewed sentimentality and moral allusion in painting and was a leading proponent of the credo " art for art's ...
- July 17, 1903 (aged 69), London, England, UK
- July 10, 1834, Lowell, Massachusetts, US
James McNeill Whistler lived in the XIX – XX cent., a remarkable figure of American Aestheticism and Tonalism. Find more works of this artist at Wikiart.org – best visual art database.
- American
- July 10, 1834
- Lowell, Massachusetts, United States
- July 17, 1903
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Apr 15, 2024 · James McNeill Whistler (born July 11, 1834, Lowell, Massachusetts, U.S.—died July 17, 1903, London, England) was an American-born artist noted for his paintings of nocturnal London, for his striking and stylistically advanced full-length portraits, and for his brilliant etchings and lithographs.
One of the most significant figures in modern art and a forerunner of the Post-Impressionist movement, James Abbott McNeill Whistler is celebrated for his innovative painting style and eccentric personality. He was bold and self-assured, and quickly developed a reputation for his verbal and legal retaliations against art critics, dealers, and ...
- American-British
- July 11, 1834
- Lowell, Massachusetts
- July 17, 1903
One of a handful of great and original American artists, Whistler exerted a profound influence on his contemporaries and on the course of American art. He was the first to be captivated by the recently discovered Japanese art and readily incorporated its flattened forms, cropped figures, monochromatic colors, and economy of means into his own ...
- July 11, 1834
- July 17, 1903
James McNeill Whistler. American, 1834 - 1903. Whistler, James Abbott McNeill
April 2010. James McNeill Whistler participated in the artistic ferment of Paris and London in the late nineteenth century, crafted a distinctive style from diverse sources, and arrived at a version of Post-Impressionism in the mid-1860s, a time when most of his contemporaries in the avant-garde were still exploring Realism and Impressionism.
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