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  1. Apr 11, 2015 · Jan de Bont was scalped while filming "Roar." Drafthouse Films Melanie Griffith was mauled during filming, which required her to receive facial reconstructive surgery and numerous stitches.

    • Lou Lumenick
  2. en.wikipedia.org › wiki › Roar_(film)Roar (film) - Wikipedia

    Roar is a 1981 American adventure comedy film written and directed by Noel Marshall, ... Cinematographer Jan de Bont was scalped by a lion, an injury requiring 220 ...

    • Terence P. Minogue
    • Tippi Hedren, Melanie Griffith, John Marshall, Jerry Marshall, Noel Marshall, Kyalo Mativo
  3. www.roarthemovie.com › jan-de-bontJan De Bont - Roar

    Jan de Bont became an indispensable part of the "Roar" team in 1976. He was intrigued by producer Noel Marshall's revolutionary concept of letting the film's lions, tigers, leopards, cheetahs, cougars and jaguars do more or less as they wished, thus capturing the truest expression of their personalities.

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  5. Apr 22, 2020 · The cast and crew of “Roar” endured monstrous dangers both on-camera and off. Melanie Griffith, mauled near the eye, needed plastic surgery. Hedren contracted gangrene and needed skin grafts ...

  6. en.wikipedia.org › wiki › Jan_de_BontJan de Bont - Wikipedia

    Jan de Bont. Jan de Bont ( Dutch: [ˈjɑn də ˈbɔnt]; born 22 October 1943) is a Dutch retired cinematographer, director and film producer. He is best known for directing the films Speed (1994) and Twister (1996). As a director of photography, de Bont also worked on numerous blockbusters and genre films, including Roar, Cujo, Flesh and Blood ...

    • 2
    • 1965–2012
    • Film director, producer, cinematographer
  7. Nov 18, 2016 · Noel Marshall’s legendarily wild and totally bonkers movie “Roar” has long been billed as one of the most dangerous movies ever made ... “cinematographer Jan de Bont was scalped, requiring ...

  8. Jan 31, 2023 · Roar features the cinematography of Dutch filmmaker Jan de Bont, who was lured to work with children and animals by the promise of a green card, years before he would become a red-hot director with films like Speed. He needed so many stitches at one point that John Marshall was certain he wouldn’t finish the film.

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