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  1. en.wikipedia.org › wiki › Jean_JannonJean Jannon - Wikipedia

    Jean Jannon (died 20 December 1658) was a French Protestant printer, type designer, punchcutter and typefounder active in Sedan in the seventeenth century. He was a reasonably prolific printer by contemporary standards, printing several hundred books.

  2. As of October 1, 2023, there were 2,262 death row inmates in the United States, including 49 women. The number of death row inmates changes frequently with new convictions, appellate decisions overturning conviction or sentence alone, commutations, or deaths (through execution or otherwise).

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  4. Oct 16, 2012 · It has to be noted, too, that the work of Jean Jannon, a punchcutter who worked about 60 years after Garamont's death, is equally important to the history of typography. While Jannon has largely gone under-credited for his work, the typeface he created for the French National Printing Office certainly impacted modern typography immensely.

  5. Jean Jannon French typographer (1580-1658) ... Upload media Wikipedia. Name in native language: Jean Jannon; Date of birth: April 1580 Geneva: Date of death: 20 ...

  6. en.wikipedia.org › wiki › GaramondGaramond - Wikipedia

    In 1621, sixty years after Garamond's death, the French printer Jean Jannon released a specimen of typefaces in the Garamond/Granjon style. Jannon wrote in his specimen that:

    • Serif
    • Adobe Garamond Pro (regular style based on Garamond's work; italic on the work of Robert Granjon)
  7. Jean Jannon 1, à Genève 2 en avril 1580 et mort le 20 décembre 1658 à Sedan, est un typographe et imprimeur français. Biographie. Il semble avoir fait son apprentissage d'imprimeur, d'abord à Genève, puis en Suisse à Lausanne et à Bâle, puis en Allemagne, et il a terminé sa formation à Paris, chez l'imprimeur Robert Estienne, le III e du nom.

  8. typographica.org › typeface-reviews › jjannonJJannon – Typographica

    Jan 19, 2021 · JJannon. The fonts of Jean Jannon, a.k.a. the would-be Garamond, were underrated by twentieth-century typographers. Type designers, too, had a curious love-hate relationship with Jannon, whose legacy they viewed as a kind of fraud because of the long-standing misattribution of his work to Garamond.

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