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Jun 5, 2017 · Joan Snyder, Red Puff Above Line, 1968, ink, pastel, glitter, and paint on paper. COURTESY PARRASCH HEIJNEN GALLERY. Forrest Bess, Untitled No. 6, 1957, oil on canvas in artist’s frame....
Forrest Bess | Joan Snyder at Parrasch Heijnen June 21, 2017 Text by Aaron Horst Joan Snyder, Red Puff Above Line (1968). Ink, pastel, glitter, and paint on paper, 11.5 x 14.5 inches. Image courtesy of Parrasch Heijnen Gallery.
Forrest Bess | Joan Snyder at Parrasch Heijnen June 21, 2017 Text by Aaron Horst Joan Snyder, Red Puff Above Line(1968). Ink, pastel, glitter, and paint on paper, 11.5 x 14.5 inches. Image courtesy of Parrasch Heijnen Gallery. Parrasch Heijnen has staged their current exhibition, Forrest Bess | Joan Snyder, as a Kieslowskian
While much critical analysis of Forrest Bess has concentrated on the unique narrative of the artist’s hermetic life, the focus of this exhibition is to explore the correlations in style and intent of Bess’ and Joan Snyder’s work, ultimately enriching the conversation surrounding each.
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Red Squares. 1973, oil, acrylic on canvas, 36 x 36 in. Joan Snyder’s paintings from 1970-1973, including Lines and Strokes, Summer Orange, Spring 1971, and Smashed Strokes Hope. Snyder is a MacArthur Fellow, a Guggenheim Fellow, and a National Endowment for the Arts Fellow.
Double Symphony. 1981, oil on canvas, 24 x 48 in. Joan Snyder's paintings from 1981-1989, including Lady Blacklines, Lady Labrynth, and Lovers. Snyder is a MacArthur Fellow, a Guggenheim Fellow, and a National Endowment for the Arts Fellow.
Mar 9–Apr 12, 1980. Joan Snyder Paintings and Drawings. Intro. Images. Related Publishing. Related Events. Joan Snyder, Red Squares, 1973. This exhibition, organized by the San Francisco Art Institute, includes paintings and works on paper from 1969 through 1977 by this important New York artist.
