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Joel Meyerowitz. HOME. Aftermath - World Trade Center. Selected Works. 35mm Color - Street Photography. 35mm Black & White. 35mm Color - Early Color 1962-63. Cape Light. St. Louis.
- Aftermath - World Trade Center
Aftermath - World Trade Center - Joel Meyerowitz
- Selected Works
Selected Works - Joel Meyerowitz
- Pop - A Film by Joel
Joel’s father, Hy, is battling Alzheimer’s disease and so...
- Biographical Videos & Interviews
Legacy and New York City Parks 2009. View fullsize....
- Press
Press - Joel Meyerowitz
- Events
The New York State Museum is pleased to present a selection...
- Contact
Contact - Joel Meyerowitz
- Bio
Joel Meyerowitz (born in New York, 1938) Is an award-winning...
- Cape Light
Cape Light - Joel Meyerowitz
- Aftermath - World Trade Center
In the early 1970s he taught photography at the Cooper Union in New York City. His work is in the collections of the International Center of Photography, Museum of Modern Art, and New York Public Library, all in New York, and the Museum of Contemporary Photography in Chicago.
In the early 1970s he taught photography at the Cooper Union in New York City. [2] [3] His work is in the collections of the International Center of Photography, Museum of Modern Art, and New York Public Library, all in New York, and the Museum of Contemporary Photography in Chicago.
- Ohio State University
- Street Photography
- Photographer
- March 6, 1938 (age 85), New York, New York, U.S.
Jan 18, 2018 · Jan. 18, 2018. 1. Now wait a second, is this magic? Or has it all been carefully arranged with actors, lighting and special effects? The truth is more surprising: It’s neither. It’s simply a...
As a native of New York, Meyerowitz had been especially affected by the 9/11 attacks, and was the only photographer granted unrestricted access to Ground Zero. He embarked on a Ground Zero archival project, using a combination of large plated and 35mm formats, for The Museum of the City of New York.
Joel Meyerowitz (b. 1938) was born in New York City and began taking photographs in 1962. Although he has always seen himself as a street photographer in the tradition of Henri Cartier-Bresson and Robert Frank (he is the co-author of the standard work on the genre, Bystander: A History of Street Photography, 1994) he transformed the mode with ...
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