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  1. Sy Scholfield quotes the catalogue "Johannes Brahms: The Man and His Work" (Kurt Hofmann et al, Detroit Symphony Orchestra, 1980), p. 7: "Excerpt from the baptismal records of St. Michaelis in Hamburg from the year 1833 PHOTOGRAPH The birth of Johannes Brahms on May 7th at 3:30 am is recorded under number 494. He was baptized on May 26, 1833."

  2. Feb 12, 2024 · One of the Romantic period’s more celebrated composers, Johannes Brahms, was born on May 7, 1833, in Hamburg, Germany. Being the son of a musician, Brahms grew up surrounded by music. Brahms began his music career as a pianist, later becoming a composer. Brahms had high expectations for himself and destroyed any composition he thought wasn ...

  3. String Quartet No. 1 in C minor. String Quartet No. 2 in A minor. 2 violins, viola, cello. 1865–73. Brahms wrote 20 String Quartets prior to these two (Anh. 2a/5), all destroyed; both arr. for piano 4-hands 1873. Op. 67. String Quartet No. 3 in B ♭ major. 2 violins, viola, cello. 1875.

  4. Death dateSaturday, April 3, 1897. Johannes Brahms is the most famous person born on May 7. They were born on a Tuesday. They were 63 years, 10 months and 27 days old when they died. Their most notable profession was Classical Music Composer.

  5. May 29, 2018 · Brahms, Johannes. Brahms, Johannes great German composer, the preeminent guardian of the classical tradition in the late Romantic era; b. Hamburg, May 7, 1833; d. Vienna, April 3, 1897. His father, who played the double bass in the orch. of the Phil. Soc. in Hamburg, taught Brahms the rudiments of music. In 1840 he began to study piano with ...

  6. The pair exchanged passionate letters and went on holiday together, but Brahms opted to leave her behind to pursue his career and a life of bachelorhood. By the end of the 1860s he'd settled in Vienna, where he lived until his death from cancer in 1897.

  7. Aims and achievements of Johannes Brahms. Brahms’s music complemented and counteracted the rapid growth of Romantic individualism in the second half of the 19th century. He was a traditionalist in the sense that he greatly revered the subtlety and power of movement displayed by Haydn, Mozart, and Beethoven, with an added influence from Franz Schubert.

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