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  2. John Field (26 July 1782, Dublin – 23 January 1837, Moscow) was an Irish pianist, composer and teacher widely credited as the creator of the nocturne. While other composers were writing in a similar style at this time, Field was the first to use the term 'Nocturne' specifically to apply to a character piece featuring a cantabile melody over ...

  3. Died: Jan. 23, 1837, Moscow (aged 54) John Field (born July 26, 1782, Dublin—died Jan. 23, 1837, Moscow) was an Irish pianist and composer, whose nocturnes for piano were among models used by Chopin. Field first studied music at home with his father and grandfather and afterward in London with Muzio Clementi, under whose tuition, given in ...

    • The Editors of Encyclopaedia Britannica
  4. May 19, 2016 · JOHN FIELD is Ireland's greatest composer and pianist, up there with the biggest names in classical music. Yet despite being dubbed Ireland's answer to Mozart, and influencing greats such as Frédéric Chopin and Johannes Brahms, his name and achievements have largely been overlooked.

  5. Jan 21, 2016 · The perception of John Field (b. 1782–d. 1837) as the father of the piano nocturne genre dominates Field historiography. As a posthumous construction, however, this image of the composer/pianist is misleading. Consequently, the extent of Field’s contribution to 19th-century musical life, and to piano literature, has yet to be truly explored.

  6. An important video for all enthusiasts of early-Romantic piano concertos, and students of the music of Chopin, Liszt and Schumann.Composer: John FieldArtists...

    • Aug 2, 2017
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    • Brilliant Classics
  7. Mar 16, 2019 · Romantic Era. Though popularized by Chopin, did you know the inventor of the nocturne was an Irish composer named John Field?

  8. John Field was an Irish pianist, composer and teacher widely credited as the creator of the nocturne. While other composers were writing in a similar style at this time, Field was the first to use the term 'Nocturne' specifically to apply to a character piece featuring a cantabile melody over an arpeggiated accompaniment.

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