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Honoring perhaps the greatest movie composer of all time Mr. John Williams. He was making a name for himself even before he began collaborating with Spielberg. His legacy starts in the late 50s with his first composed score for 1958's Daddy-O. Wasn't till 1974 when he finally began working with Spielberg on one of his early projects 1974's The Sugarland Express. Known for composing some of the ...
- Star Wars (1977) For a film in the ‘space opera’ genre, only a soundtrack of operatic proportions could suffice – and it’s safe to say that John Williams delivered in spades.
- Schindler’s List (1994) It’s hard to imagine a more perfectly poignant score for Steven Spielberg’s Schindler’s List than the one that John Williams wrote, but even the composer himself had his doubts.
- E.T.: The Extra-Terrestrial (1982) As the wise director Steven Spielberg once said, “Without John Williams, bikes don’t fly” – and this is precisely the score that proves it.
- Jurassic Park (1993) No one does awe and wonder quite like John Williams – and his main theme for Jurassic Park is no exception. You can’t help but get a sense of the magnificence and sheer scale of these prehistoric creatures from his stately music.
- Philip Sledge
- Star Wars: Episode IV – A New Hope (1977) It is hard to imagine a world in which anyone but John Williams composed the Star Wars score, and luckily, we don’t have to experience that dark reality.
- Jaws (1975) Steven Spielberg’s Jaws is still considered one of the best movies of all time nearly 50 years after its release, and the legendary blockbuster is made even better thanks to John Williams’ score, which earned the composer an Oscar.
- Raiders Of The Lost Ark (1981) In addition to kicking off the Indiana Jones franchise, Steven Spielberg’s Raiders of the Lost Ark also features one of John Williams’ most well-known tracks: the “Raiders March.”
- Harry Potter And The Sorcerer's Stone (2001) Though composers like Patrick Doyle, Nicholas Hooper, and Alexandre Desplat would go on to provide the music for later films in the franchise, John Williams kicked things off with Harry Potter and the Sorcerer’s Stone.
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- Indiana Jones. Indiana Jones is where John Williams put in his best work, resulting in the most adventurous feelings that music can give. Everybody knows the theme to Indiana Jones—it goes hand-in-hand with Harrison Ford as one of the most integral elements of the film.
- Star Wars. As a singular scene in a motion picture, there may not be a better merging of music and imagery than that of a young Luke Skywalker looking out over the twin sunset of Tatooine.
- Jurassic Park. Jurassic Park is still as watchable today as it was when it came out in 1993. But one major aspect of the film that led to its enduring legacy—on top of the wonder, the excitement, the horror, the T-Rex and Velociraptors—is the musical score.
- Superman. The triumphant overture. The red, white and blue imagery. And then, it kicks in: "Superman March" by John Williams. His iconic theme for The Man of Steel is one of cinema's most recognizable pieces.
- ‘Out to Sea / The Shark Cage Fugue’ from Jaws
- Excerpts from Close encounters of The Third Kind
- Tuba Concerto
- ‘Hedwig’S Theme’ from Harry Potter and The Philosopher’s Stone
- ‘Superman March’ from Superman
- Theme from Star Wars
- Theme from Schindler’s List
- ‘Yoda’S Theme’ from The Empire Strikes Back
- ‘Sayuri’S Theme’ from Memoirs of A Geisha
- ‘Olympic Fanfare and Theme’
It’s been reported that when the clunky mechanical shark malfunctioned during the filming of Jaws,director Steven Spielberg – working on the principle ‘less is more’ – decided to use music to suggest the presence of the creature instead. Williams’s simple two-note sequence (based on E and F) then became one of the most terrifying motifs in musical ...
While it is true that composer John Williams has provided the world with some of the most instantly recognizable tunes of the twentieth and twenty-first centuries, his rigorous training at the celebrated Juilliard School in New York has given him a facility in hundreds of other styles as well. In the shark-cage scene from Jaws mentioned above, he w...
Although the majority of his work has been for the multiplex, John Williams has also frequently provided pieces for the concert hall. This tuba concerto was composed for the principal tuba player of the Boston Pops Orchestra to commemorate the 100th anniversary of the ensemble. The composer exploits just about everything the tuba can do, and turns ...
John Williams has worked with some of the classical world’s foremost musicians in his six-decade (and counting) career. On the album Across The Stars he teams up with top-drawer violinist Anne Sophie Mutter for a dazzlingly virtuosic re-working of the music composed to accompany appearances of Harry Potter’s owl Hedwig in the film series. In just a...
“You’ll believe a man can fly!” says the poster. Well, you certainly will after hearing the iconic ‘Superman March’, one of the best John Williams works, which suggests the miracle of human flight using the simplest of means. A soaring high trumpet gives the impression of height, low thudding strings the earth below, and energetic percussion adds t...
The theme from Star Wars, one of the best John Williams works, uses similar musical material to that of Superman but, for my money, just pips the latter to the post for sheer exuberance and swashbuckling derring-do. The second part of the theme makes an obvious genuflection at Holst’s The Planets, but once again, Williams takes his source, shakes i...
One of the reasons Hollywood film scores became such a sophisticated source of pleasure from the 1930s onwards was the influx of talented Jewish musicians and composers fleeing Nazi Germany and arriving in Los Angeles. Although composer John Williams does not have a Jewish background himself, his love for the idiom is evident in the delicate and ha...
Violinist Anne Sophie Mutter captures all the gentleness, playfulness and even vulnerability in the theme for the 900 year-old Jedi Master Yoda. A sweet melody for a wise and benign character, it might be considered a major-key counterpart to the melancholic minor-key tune for Schindler’s List.
Displaying familiarity with yet another idiom, John Williams provided a Japanese-influenced soundtrack for Memoirs Of A Geisha without falling into the trap of making it sound like the jokey overture to The Mikado. It helped that he chose to work on the project with the Chinese-American cellist Yo-Yo Ma, whose wonderful Silk Road project had alread...
Who better to compose the official music for the 1984 Olympics in Los Angeles than local boy John Williams? The typical Williams-style ‘big tune’ is counterpointed with an energetic, scurrying fanfare idea which perfectly suggests the energy and vision of the event. Goose-bump music of the highest order.
Jun 1, 2023 · John Williams has crafted the sounds of intergalactic battles (Star Wars), dinosaur-filled islands (Jurassic Park), the horrors of war (Saving Private Ryan), and wizarding worlds (Harry...
4 days ago · In our guide to movies scored by Williams with Certified Fresh films featured first, take a look at all his collaborations with directors and within franchises, including Steven Spielberg (...
