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Dec 20, 2022 · In 2001, L.A. producer-composer Jon Brion, of Fiona Apple/Kanye West/Paul Thomas Anderson renown, recorded his major-label debut. It didn't go very well.
Stupid Thing (Aimee Mann song) " Stupid Thing " is a song by American singer-songwriter Aimee Mann, which was released in 1993 as the second single from her debut studio album Whatever. The song was written by Mann and Jon Brion, and produced by Brion. "Stupid Thing" peaked at No. 47 in the UK Singles Chart and remained in the Top 100 for two ...
I Heart Huckabees (stylized as I ♥ Huckabees; [3] [4] [5] also I Love Huckabees [6] [7] [8]) is a 2004 independent black comedy film directed and produced by David O. Russell, who cowrote the screenplay with Jeff Baena . A self-described "existential comedy", I Heart Huckabees follows a pair of detectives ( Dustin Hoffman and Lily Tomlin ...
Magnolia: Music from the Motion Picture is the soundtrack album to the 1999 film Magnolia. It comprises several songs by Aimee Mann, plus tracks by Gabrielle, Supertramp and Jon Brion. The album received positive reviews and was certified gold in 2001. Mann's song "Save Me" was nominated for an Academy Award for Best Original Song .
Jon Brion (born December 11, 1963) is an American singer, songwriter, multi-instrumentalist, record producer, and composer. He performed with the Excerpts, the Bats, 'Til Tuesday and the Grays before becoming an established producer and film score composer. Brion has produced music for artists and bands including Of Montreal, Aimee Mann, Love Jones, Eels, Fiona Apple, Elliott Smith, Robyn ...
The song was written and produced by Miller and Jon Brion, and was released posthumously on January 9, 2020, as the lead single from the album. It peaked at number 17 on the US Billboard Hot 100, becoming Miller's highest-charting single as a lead artist. [1]
Largo (Brad Mehldau album) Largo. (Brad Mehldau album) Largo is an album by American pianist and composer Brad Mehldau released on the Warner Bros. label in 2002. [1] [2] The album is a departure for Mehldau's earlier straight-ahead jazz albums, instead featuring a more experimental pop-influenced sound and extensive use of session musicians.
